Humanity transcends all

 While the concept of a hellscape with fiendish creatures and a kill or be killed trope is hardly new (Alien, Monster Hunters et al), Predator Badlands takes the quintessential predator Dek (Dimitrius Schuster-Koloamatangi) - beloved of his brother and scorned by his father - and casts him into a coming of age story and humanizes him. Trawling the planet Genna on the hunt of the infinitely regenerative Kalisk, Dek finds an unlikely ally in the (also all too human) Weyland-Yutani synth Thia (Elle Fanning). And Dek imbibes the leadership model of the wolf of the Earth - protector of the clan rather than mere scorekeeper. Anthropomorphism and Predator mellowing aside, the compelling visuals and taut storytelling make this one an Imax treat rather than a thoughtful watch

15.5/20

It is our programming, not our purpose

I guess even Turing would say hats off to the above as a test for sentience. Tron - Ares surprises on the upside considerably. Julian (Evan Peters) who's the son of Ed Dillinger of ENCOM, seeks the  Permanence Code – the elixir that will allow the constructs (3D printed AI manifestations in the real world) to last for more than a fleeting 29 minutes. In the interim ENCOM CEO Eve (Grace Lee) driven by somewhat more altruistic considerations finds a way to the code and has to stake her life to protect it from nefarious ends. Julian creates Tron Ares (Jared Leto) the super soldier – devoid of emotion and a slave to its programming – or is it. Eve somehow gets Tron Ares to recognize empathy and work against its programming. And for the greater good. Which is perhaps the one true test of achieving not just sentience but some modicum of humanity. Interesting characters such as the architect Kevin Flynn (Jeff Bridges), the Indian origin CTO Ajay (Hasan Minhaj), and the long suffering Elisabeth, mother of Julian (Gillian Anderson), make the movie not only replete with dazzling visuals but also interesting personalities that work hard at their roles. I would give this one a strong thumbs up - very recommended viewing. At least for sci-fi aficionados. The only caveat – caught some of Megan 2.0 (Horror + AI/ sentience), The Woman in Cabin 10 (Drama/ Thriller – AI Facial recognition). Let us hope that Hollywood go the way of US equity markets and become one secular bet on AI

16/20

Calling upon a Void

A father - William Russell (Bill Skadsgard) - returns from the Solomon Islands, World War 2, traumatized by the experience of killing, out of necessity, a comrade. Sets up a family with a waitress (Charlotte (Haley Bennett)). The devout Will finds his prayers unanswered - his son gets bullied and the wife (in spite of a "dog sacrifice") dies of cancer. And Will in his implacable devoutness takes his life. This begins the life of Arvin Russell (Tom Holland) in the movie The Devil all the Time.. almost a.satire that taunts evangelical faith at every turn. Then there is the serial killer couple (Carl (Jason Clarke) and Sandy (Riley Kelough ) with the protagonist admitting he feels God only when he kills after an act of depravity is committed upon his wife..And then there is Rev. Preston (Robert Pattinson) perhaps the most exploitative of all in the name of faith. these are some of the key characters in this gripping.black drama that'll shake your faith from the roots and make you wonder what dark belief system the creators are actually trying to convey. Gripping, unpredictable, and disturbing

17.5/20

Mechanical is Unhealthy too

Of course, many years have elapsed since the making of this movie. The thought process behind tis one, however - the legendary A Clockwork Orange - Stanley Kubrick and Tony Burgess - is ever so relevant in today's world.. One Alex - social misfit - a kind of Patrick Bateman roaming the streets at night looting and pillaging - gets conditioned in rehab. Post teh same he is expected to make his way back to society as a chastised and essentially a "good" person.

As time passes, it becomes eminently clear that he is not in a position to take judgment calls in terms of basic self preservation, and rudimentary good versus evil choices.

A Clockwork Orange shows that.The pervasiveness of, And the error in lunging to extremes. Just as extreme violence.Is a societal curse, extreme compliance turns us into, well, Clockwork Oranges

15.5/20

Colonizers

In the tragic hilarious and eminently watchable movie Mickey 17 the invasion of a planet and the attack on the superintelligent native species (dismissively labelled "critters") is best exemplified by the capture of a baby critter by the humans. The curiosity for interspecies understanding is limited to, well, cutting off the tail of the said critter, putting it in a blender, and then saying "what sauce does this best go with?"

Irreverent, wildly unpredictable, and in the end hopefully, Mickey 17 is an original movie that traverses sci fi, humour, dystopia - and holds well

16/20

Looper

 A random Youtube video profiling bizarre mind-bending movies (https://www.youtube.com/watch?v=0K0d0BTRJ9M&t=595s) brought me to The Triangle (2009) – which in turn I watched on an “unconventional” URL (https://www.dailymotion.com/video/x9iu0zq). Clearly the OTT masters of the universe consider us intellectually incapable of processing such fare. In the story of Sisyphus, the protagonist pushes a boulder up a hill in an endless temporal loop. In The Triangle, Jessie (Melissa George), mother of an autistic child, goes on a boat trip in the Bermuda Triangle with her friends. Their boat hits the doldrums, and the deserted ship Aeolus is where they take refuge. Soon after coming on board a sinister sequence of events ensues – things are not what they seem at all – and friends are injured and dying, and Jess and the castaways are heavily looping in time. A mindbender that is likely to stay in the mind for a while in a sea of cinematic monotony

16/20

Intentionally Blank

Pole star

Reviewing a Hindi movie, and that too squarely in the romantic genre, is not the vein of this site at all. When I watched Saiyaara in Infiniti mall, it was because I was choosing between commuting in the rain and whiling some time in a theater that is a stone's throw from my place. Sometimes perhaps you are surprised in the positive - Karan Kapoor (Aahan Pandey) and Vani (Aneet Padda) have some pretty compelling screen chemistry, bring a fair amount of intensity, and in a movie that is not all giggles and dance sequences - pull off a pretty convincing execution of a rather simple storyline. Karan is the wannabe rockstar looking for a break and superstardom, the once betrayed Vani, who also suffers from Alzheimer's, is his rock - well, at least as long as she can hold on to her memory. Pretty good work

15/20