Man of Iron

Tony Stark (Robert Downey Jr) is Iron Man, in Iron Man III, with or without the eponymous battle suit. Faced with the challenge of the unknown Mandarin, Tony Stark must save Pepper Potts (Gwyneth Paltrow), right hand man  James Rhodes (Don Cheadle) and the entire US leadership - after challenging the Mandarin to open combat. The journey takes Tony Stark to faraway Tennessee and the combat between the once-spurned villian Adrian Killiach (Guy Pearce) and his nefarious scheme, and our superhero, is as intense as it has ever been in the Iron Man franchise. Iron Man III delivers, and delivers well, and for some reason trails off with Mark Ruffalo and the promise of more to come

13.5/20

Lease of Life

In the year 2093, seventeen men and women set off on spacecraft Prometheus to the one planetary system that science as well as historical evidence suggests was the origin of mankind. In the meantime, Earth gets struck by a veritable array of natural calamities, which changes the mission of Prometheus to that of finding a new home for mankind. The craft makes a safe landing at the destination planet – but, somehow, the exploratory mission gets struck by tragedy. Not least of all owing to the undercurrents of the real motives of the Weyland Corporation represented by the mission chief Meredith Vickers (Charlize Theron) and by the actions of cyborg David (Michael Fassbender) that suggest a certain lack of alignment. Will the mission eventually be successful? Or will it get mired in in-fighting and external attack-induced tragedy? Prometheus is well-produced and well-directed, but as far as the genre goes, utterly lacks originality (think Sphere, The Deep, and many many more). A man no less than Ridley Scott should have done a lot more

11/20

The King Speaks

The King’s Speech is a much-reviewed and much-awarded movie, and the toast of the awards season just past. A discussion as to whether it is deserving of such sweeping accolades is somewhat academic. What offsets the rather narrow subject matter is two aspects of the movie that make it absolutely memorable. The first is Colin Firth (King George VI) playing a King-elect and then a King with a stammering disability, his battle against it, and the tribulations and setbacks along the way. The second is the remarkable relationship between the King and his speech instructor Lionel Logue (Geoffrey Rush) – born out of necessity and occasionally showing the consequences of a large class divide, with the (inevitable?) results and conviction eventually following. Forget the awards, it is these two reasons alone that make this movie eminently watchable. As to whether the movie is broad enough in scope to be a Best Picture Academy Award winner? Why does it matter anyway – you can watch Black Swan and The Fighter as well!

14.5/20

Bombs, Away

Like Enemy at the Gates (snipers), The Hurt Locker focuses on a single war-zone (Iraq, circa today) and one category of soldier (bomb detection squads). Unlike the morality tales like Lions for Lambs, The Kingdom and Body of Lies, there is no lesson purported to be delivered herein. This is about the intensity, and the role of each of the members of an elite bomb detection squad, in the heat of combat. Unavoidably, the groups gets embroiled in other aspects of war that is strictly not their domain, such as sniping across vast expanses of desert, or giving chase to bombers across dark urban alleyways in the dead of the night. The spirit of the group is epitomized by Sgt Matt Thompson – who returns injured and cussing from the epicenter of battle to home and family, and then in an epiphanic moment in a supermarket, decides to return to the Bravo Company for another 365 day stint at what he really loves doing. Great “action” sequences delivered with a deliberate lack of melodrama

14.5/20