Katniss Marketing

In the buildup to the last installment, Katniss (Jennifer Lawrence) is literally paraded by the rebel factions hidden in District 13. Led by President Alma Coin (Julianne Moore), Katniss becomes a thoroughly marketed symbol of hope for all the Districts breaking out in rebellion, with the highlight being a particularly rousing speech in District 8 post the bombing of a hospital. In the backdrop plays out the impending confrontation of Katniss with President Snow (Donald Sutherland), and the release of her boyfriend Peeta (Josh Hutcherson) with some complicated side-effects. Clearly a bridge-ing movie, The Hunger Games – Mockingjay – Part 1 preserves continuity, but has little new to offer

13.5/20

Hope (Slowly) Belied

A Most Wanted Man is a dark brooding (way too brooding) adaption of a John LeCarre novel. Issa Karpov (Grigoriy Dobrygin) is escaping the war in Chechenya and the horrors inflicted by the Russians – including his own father – and immigration lawyer Annabel Richter (Rachel McAdams) becomes a source of hope for him, in seeking asylum in Germany. Anti espionage agent Gunther Bachmann (Philip Seymour Hoffman) is looking at extracting information – and an amicable solution to the plight of Grigoriy – but is that likely to happen? Ponder over that along with the chain-smoking Gunther, slowly and laboriously, as the answer indeed shall come to pass. Marketed as a thriller but clearly a drama at heart, A Most Wanted Man is one for the diehard spy whodunit aficionados

12.5/20

Far Below the Belt

Stephen Myers (Ryan Gosling), Junior Campaign Manager for the sitting Governor Mike Morris (George Clooney), for the Democrat Presidential primaries, learns to be beware of The Ides of March and much else besides. So what is Steve up against, really? For a start, Steve needs to understand the priorities of Senior Campaign Manager Paul (Philip Seymour Hoffman) and his respective right and wrong sides. And then there is the campaign manager on the other side – Tom Duffy (Paul Giamatti) and the latter’s machinations. Throw in a beautiful intern – Molly (Evan Rachel Wood) and her dark secrets, a single senator – Senator Thompson (Jeffrey Wright) who could be solely holding the key to the campaign, and cut-throat journalist Ida (Marisa Tomei), and Steve may be down to his very last card in surviving the political game. And no matter who the winners and losers are in this cat-and-mouse political game, what is certain through the movie is that Steve’s brand of passion and idealism will meet a terminal end

14.5/20

Change the Game

It takes a lot of conviction to bring a new technique – in this case, hardcode quantitative analysis to major league baseball – and then to stick by it. And what does “sticking by” really entail? Well, for a start, being a one-man proponent of a technique that requires the coach replaced, and many star players traded out for unknowns or perceived also-rans. It also means taking hard decisions all too often. So when Billy Beane (Brad Pitt) takes on the unenviable task of resurrecting the Oakland A’s, in the capacity of General Manager, his odds, to say the least, are pretty limited. And, in the tradition of sports movies, Billy makes something significant of that nothing – in his words, he makes a difference and leaves his very own indelible mark on the game – Moneyball. While the movie is generally tipped to go the way of the likes of The Blind Side and Invictus come Oscar night, unlike these predecessors, Moneyball does require a baseball gene to be appreciated, and does not resound with universal appeal

12/20

Five Degrees

Crime and Punishment and perdition lends itself easily to the moviemaking medium. Before I begin to sound like the celebrity hosts at the Oscars with their hackneyed one-liners let me quickly say that I just happened to catch up with several movies of the same genre in rapid succession, and cannot currently resist the temptation to rank them in a continuum ranging from the purely amoral to the redemption tales.

Joint #5: The Flock and Lonely Hearts: Do you like your porn served freshly killed and/or amputated? Gorno (gore + porno) is apparently the new rage - with movies like Saw and Hostel running into several delightful sequels. Thankfully movies like The Flock (http://www.imdb.com/title/tt0473356/) serve as some degree of anodyne. Did anyone notice the resurrection of a leaner meaner Richard Gere? Adventurous war photographer in The Hunting Party, and keeping tabs on crimes of passion offenders in The Flock - this movie shows the lengths of depravity that affection can lead to. Same with Lonely Hearts (http://www.imdb.com/title/tt0441774/) - John Travolta, Jared Leto and Salma Hayek light up the screen and make you retch at the sheer inhumanity of man

#3: Zodiac (http://www.imdb.com/title/tt0443706/): David Fincher in another brilliant movie about an obsessive chase of a serial killer. Watch for Robert Downey Jr as the obsessed detective here. What does one make of the futility of the search, many years on? Little, it appears. A movie with lots of drama and few conclusions. Fincher is consistently brilliant

#2: Cleaner (http://www.imdb.com/title/tt0896798/): Samuel L Jackson is singularly missing from this blog so far. This movie is about those that clean up post a death in the family. Things get messy as crucial evidence is "cleaned" from a murder scene. The movie goes on into explore the moral ambiguities in the protagonist's past, and the effects on his daughter. It ends with a lot for the small family to clean up, with a little help from a friend. Playing around with shades of gray and degrees of right and wrong, an otherwise hackneyed theme is well executed by Samuel L Jackson, Eva Mendes, and Ed Harris - the last being in a pivotal role

#1 Road to Perdition (http://www.imdb.com/title/tt0257044/): What is it about Tom Hanks? (Well - there was Paul Newman and Jude Law here too, but, really?!) In Forrest Gump you cry as this man, oblivious to walking hand in hand with history, lives by the simplest of tenets. In Saving Private Ryan, we have no trouble believing that this man is a schoolteacher as well as a consummate leader of men on the battlefield. In Apollo 13, we live the space dream gone horribly wrong and rejoice at survival against all odds. Really, what is it about this man?! The perdition of Mike Sullivan Sr (Tom Hanks) lies in protecting his surviving son from the damnation of hell that is likely to eventually befall all gangsters on account of their chosen path. If I were to attempt to summarize this movie in a single sentence, I would say thus - Tom Hanks is a gangster, is unfairly set upon, avenges his family, and is survived by a son untainted by evil. And having summarized thus, I can categorically say that such a summary completely fails to capture the evocation, the emotional highs and lows, and the superb performances in the movie. This is among the best movies that I have ever seen, period. This is about legacy, about what you are remembered by, about what you live by. In a Depression and in a world of gangsters, and with your hands tainted by innumerable killings in the course of your profession, if you are remembered by your son for your goodness and resolve, you are truly noble. If the Corleones draw you by the sheer thrill of their acts and way of life, the perdition of Tom Hanks actually makes you believe that a gangster can be truly noble at heart
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PS: American high society is pretentious (who isn't?) and flaunts many trappings of Brit high society while never failing to castigate it at the same time. Saw Woody Harrelson in an unexpectedly brilliant role in The Walker (http://www.imdb.com/title/tt0783608/) where he cleans up his complicity in a high society murder with reserve and panache! And on Mr Hanks - a relatively simpler role of leveraging disgruntled CIA officers (Philip Seymour Hoffman) and high society ladies bored and with nothing to do, really (Julia Roberts) to spark off - hold your breath - a counter-offensive against Russia in Afghanistan(!) in Charlie Wilson's War (http://www.imdb.com/title/tt0472062/)

Looking at these posts, I cant help feeling that we live in a Golden Age of movies with so many brilliant performers and scripts, both new and resurrected, aided by the greatest heights cinematography and sould editing has ever attained thanks to technology. And that in itself makes maintaining a movie blog (currently with zero readership) worthwhile.