Heinous

Governess Victoria Winters (Bella Heathcote) arrives in Collinsport, Maine, to attend to the anything-but-usual Collins family – particularly David (Gulliver McGrath) the disturbed young ‘un in the family. The Collins family has a long and illustrious history in Maine – that has been systemically driven to ruins. Enter Barnabas Collins (Johnny Depp) – long deceased and vampire-at-large. Even as he apologetically quenches his thirst for blood by taking out construction workers, hippies, and unscrupulous resident doctors, the efforts at defeating the enterprise of arch-rival Angelique Bouchard (Eva Green) look like they will come to naught – not least because of the ties that bind Barnabas  and Angelique. So even as Barnabas dalliances between Angelique and Victoria, the new-found strength in the Collins business looks like its demise shall be as meteoric as its resurgence. Or, is it that Josette (Josephine Butler), mother of David and resident ghost of the family, can bring her not inconsiderable supernatural powers to bear? Dark Shadows is an awful movie, does discredit to the likes of Johnny Depp and Eva Green as actors, and one that you definitely do not look forward to viewing

9/20

A Demon Wronged

Johnny Depp's triumphs never end. A coldblooded avenger in 19th century London? No sweat! Benjamin Barker (Johnny Depp) is a man wronged - charged of a crime he did not commit and thereafter exiled, by the near-theaterically evil Judge Turpin, who then abuses his wife Lucy (Laura Michelle Kelly) and even drives her to suicide. Benjamin returns to London under the alias Sweeney Todd, determined to seek the revenge owed to him. Sweeney Todd proceeds to partner with Nellie Lovett (Helena Bonham Carter) and work as a barber at her meat pie shop on Fleet Street, and extract his pound of flesh - some would say literally - from those that have wronged him. Sweeney Todd - The Demon Barber of Fleet Street - is a retake on a character much depicted on multiple media - the version herein is possibly a reasonably faithful adaptation of the Stephen Sondheim musical. Like most of the protagonist's work, the sheer brilliance of the protagonist's acting abilities takes this adaptation to a different level

15.5/20

Alice in Blunderland

I was really really hoping that this one had turned out well. Instead I got treated to a seriously flawed screen adaptation that was truly a pain to watch. This current edition of Alice in Wonderland is one wherein the emphasis seems to be on the digital presentation of a magical world. All the characters without exception from the haughty Red Queen to the humble Dormouse are poorly developed – some like the Chesire Cat are excruciatingly poorly developed. Coming to the digital presentation – no redemption herein - garish special effects ensure that Charles Lutwidge Dodgson will gladly have given this rabbit hole a pass. The biggest failure of this movie is the turning of a (part-political) satire, and at the very least a funny story, into a good-vs-evil combat arena with generous pickings from the likes of LOTR (compare the faceoff with the Jabberwocky and the Nazgul faceoff in the first installment of LOTR), Narnia (good and evil – the battle across the plain), and the Golden Compass (riding the Bandersnatch vs Riding the Polar Bear). Is that all? Not quite. There is a perceptible lack of humour through the film. Also, this is a movie which will get a straight zero for costume design with it being hard to tell which is the more horrifying - Johnny Depp as the Mad Hatter, or Anne Hathaway as the White Queen. The only redeeming feature – half a minute of recap of Alice’s last visit that shows a tiny vignette of what this Tim Burton (believe it or not) movie could have been

7/20

A Thought-Provoking Planet

Though Planet of the Apes is a relatively old franchise, it is quite entertaining in terms of lightly exploring arguments about man coming to confrontation with a comparable intelligence that has travelled along a different evolutionary trajectory, only just. Mark Wahlberg exudes a Matt Damon style thinking physicality but cannot match the latter's intensity. This is not the best of Tim Burton. The "What If" questions that emanate from coming to confrontation with a comparable intelligence are quite amusing at the very least.

Fish for Life

Not everything your dad said was a lie. Tim Burton (Sleepy Hollow, Mars Attacks!) has a heartwarning tale of a father who is given to, well, minor exaggerations about his considerably exaggerated life, in Big Fish. This movie reminded me of the fraility of the male ego in Beowolf and its constant need for compliment, as well as a sense of passing through history with insouciance in Forrest Gump. The skepticism of his son, and his finally being convinced, touches the heart. No wonder that feelgood movies are getting increasingly popular in the choppy waters that happen to be our lives and times