The Civilized Wild

 Wikipedia prefaces The Wild Robot as a survival film. I think it is a coming-of-age film. A robot – Rozzum (Roz) 7134 (Lupita Nyongo) is shipwrecked on an island wilderness. Looking for a controller, Roz figures out the ways of animals and their language too, but draws no empathy except from a somewhat conniving fox Fink (Pedro Pascal). An unlikely bond with a gosling – Brightbill (Kit Connor) – leads to the formal definition of a mission objective – to teach Brightbill to eat, to swim and to fly – in other words to be a parent. But bringing up a gosling much like bringing up a human child is no easy task, and both the robot regimen as well as the formative gosling undergo a makeover and find some true sense of purpose and lives well led. An interesting watch, expectedly heartwarming, good for a break, not a Dreamworks masterpiece

14.5/20

Another Mission Possible

Ethan Hunt (Tom Cruise) begins Mission Impossible – Ghost Protocol with a little help from his friends in getting out of a Russian prison. However, on a subsequent routine if difficult assignment in Russia, things go awry, and the IMF suddenly finds itself under Ghost Protocol – disavowed at the best of times, they are now on their own and behind enemy lines. Under the circumstances, the prospect of thwarting a warmonger’s evil plans to trigger a nuclear apocalypse seem remote indeed. Something that will necessitate a trip to Dubai and – hold your breath – Mumbai – to get things moving. This MI edition will stick in your memory for two distinct reasons. One is the Burj Khalifa – the tallest building in the world – and some rather unforgettable feats related to the same. The other is our very own Anil Kapoor in a meaningful if comic role. Overall, in the copybook thriller mould, Mission Impossible – Ghost Protocol does not disappoint, but does not attempt any transmogrification of the genre either 13.5/20

Echelons of the Inquisitive State

What is the Echelon Conspiracy? Max Peterson (Shane West) can hardly believe his luck as he receives phone messages from an unknown source – the first saves his life from a plane crash, the second makes him a lot of money in a casino. The gravy train abruptly ends and Max finds himself in the custody of the FBI trying to help track down the “sender” of the messages. Nothing is quite what it seems, and the messages are discovered to come from a wholly unexpected source on the lookout for an “upgrade” denied to it by Congress. A fast-paced movie with a somewhat lame ending. Shane West would have a future in thrillers, though

14/20

Pretty, Quirky

Many of the elements of Quentin Tarantino's cult classic Pulp Fiction are to be found in say Kill Bill. The retro music, the quirky character portraits and disjointed engagements, the engaging dialogues - all combine to give a disengaged portrayal of a loosely connected sequence of events, acted out by unforgettable characters. The movie is a difficult one to judge, inasmuch as it probably defined a (limited) genre in itself. What makes it particularly stand out is the performances of the entire star cast - especially the (questionable) redemption of Samuel L Jackson, the "day in the life" of Bruce Willis, the chemistry between John Travolta and Uma Thurman, and the righteous anger of Ving Rhames. Does it all collectively make sense in the end? No, but that is not quite the point.