A Minor Primate Uprising
Gen-Sys, a pharma company based in San Francisco, is developing a new drug that offers a possible cure to Alzheimer’s. However, plans to move to human testing are abruptly cut short on account of a (misinterpreted) act of animal violence. The testing specimens are put to rest – except one baby chimpanzee – Caesar – adopted by scientist Will Rodman (James Franco). A violent episode against a neighbor consigns Caesar to an animal sanctuary, where he gets a first taste of human cruelty. Eventually, Caesar manages to break free from confinement and empower his primate fellow-inmates, with more than just the average drug. So far so good. What follows is acts of wanton ape vandalism that belies all expectations from a drug that apparently enhances intelligence. And that is where the movie falls apart. Far from getting to anything dystopian or ominous, Rise of the Planet of the Apes ends as a minor skirmish between man and a few slighted apes. Similarly shallow is the role of Caroline Aranha (Frieda Pinto), who manages to duly express affection and consternation in measured doses without attempting anything remarkable
11/20
Gen-Sys, a pharma company based in San Francisco, is developing a new drug that offers a possible cure to Alzheimer’s. However, plans to move to human testing are abruptly cut short on account of a (misinterpreted) act of animal violence. The testing specimens are put to rest – except one baby chimpanzee – Caesar – adopted by scientist Will Rodman (James Franco). A violent episode against a neighbor consigns Caesar to an animal sanctuary, where he gets a first taste of human cruelty. Eventually, Caesar manages to break free from confinement and empower his primate fellow-inmates, with more than just the average drug. So far so good. What follows is acts of wanton ape vandalism that belies all expectations from a drug that apparently enhances intelligence. And that is where the movie falls apart. Far from getting to anything dystopian or ominous, Rise of the Planet of the Apes ends as a minor skirmish between man and a few slighted apes. Similarly shallow is the role of Caroline Aranha (Frieda Pinto), who manages to duly express affection and consternation in measured doses without attempting anything remarkable
11/20