The More Things Change

New York, 1922. The delirium of bull markets gone wild. The newly rich Jay Gastby (Leonardo DiCaprio), in the aftermath of the First World War, and a blurry past, throws the biggest parties in town, all to catch the attention of the object of his affections – Daisy (Carey Mulligan) – wedded to old money and deep-rooted pride - Tom Buchanan (Joel Edgerton). The Great Gatsby would be remembered for exceptional cinematography, costume design, perhaps even special effects. What I cannot grant it is creating an exceptional cast of convincing characters that truly capture the essence of their inter-relationships, and the capricious spirit of their time, at a level of skill that does true justice to the iconic novel

11.5/20

Race It

Wanted fugitives Dominic (Vin Diesel) and Brian (Paul Walker) get a new lease of life as they are asked by Agent Luke Hobbs (Dwayne Johnson) to take out a criminal organization led by Owen (Luke Evans) in exchange for clearing their criminal records. Its time for showdown in (mainly) London – with fast cars and a bevy of beauties – including Mia (Jordana Brwester), an estranged Letty (Michelle Rodriguez – permanent female Hispanic lead action fixture), Gisele (Gal Gadot) and the turncoat Riley (Gina Carano). Spellbinding (though logically and scientifically inexplicable) action sequences and engaging car chase scenes – watched this one in a paid preview – yes, was on fast forward, much like everything else in Fast & Furious 6. Not to forget, the movie ends with a cameo by Jason Statham (no less) in Tokyo – the promise of much more to come

13.5/20

An American Nightmare

Fresh-off-boat from Pakistan, Changez (Riz Ahmed) finds a quality education, the girl of his dreams (Erica (Kate Hudson)) and a career of his dreams on Wall Street, in The Reluctant Fundamentalist. It is post 9/11 that the dissonances between what he has left behind and what he has become tear apart Changez’ life. A humiliating strip-search at the airport. A buyout mandate that displaces – renders redundant – a Turkish publisher who is the keeper of the works of many poets, including Changez’ father. A girlfriend who turns around and makes a public exhibition of private vignettes of the relationship with Changez. Perhaps it is time to return to the country of birth and try and improve matters. But, is it also time to give in to the dark clouds of radicalism that hover around Changez. The question lingers in the air, even as the movie trails off with the inevitable real conflicts between the two worlds that Changez traverses

12.5/20

Save the Forest

A dismissive Katherine (Amanda Seyfried) comes to visit her father Professor Bomba (Jason Sudeikis), who is apparently obsessed with the war between the Leaf-Men – led by Ronin (Colin Farrell) – protectors of the forest – and the Boggans – destroyers of the forest – led by Mandrake (Christoph Waltz) – all of which Katherine considers figments of her father’s imagination. The Boggans go one up on the Leaf-men by taking out the Queen of the forest (Beyonce Knowles), and it is up to a (much-diminished) Amanda and her father to bring in some timely intervention and save the trees and those that, well, protect them. Based on William Joyce’s The Leaf Men and the Brave Good Bugs, Epic is the children’s movie for the ongoing summer holidays – not breathtaking or deep, just pretty well made

13.5/20

Darkness and Light

In Star Trek – Into Darkness, JJ Abrams scripts a taut thriller that is centered around a former starship captain – Khan (Benedict Cumberbatch) gone rogue – rather than the hackneyed alien encounters of old. Apart from saving the introductory planet through dazzling special effects, and one minor Klingon encounter, there is no long drawn alien engagement. Rather, it is James Kirk (Chris Pine), and Spock (Zachary Quinto) coming to terms with their personalities, their relationship, a misguided leader in Admiral Marcus (Peter Weller), and of course the great Khan threat. The special effects are expectedly mindblowing, including possibly the first instance of the equivalent of base jumping in space. This is a different Star Trek, with more overtones of terrorist threats and dual personalities, than the copybook 20^th century Star Treks and their extra-terrestrials

14.5/20

Treasured

What would you do if you had a little treasure trove, like Pishima – or her ghost – did, say all of 5 kilos of gold? Would you bury it in hate and spite, use it as a tool for maintaining primacy and engendering conflict, driven by the ghosts of your own sad and troubled past? Or would you, over time, start believing in the goodness of human nature and start using the treasure trove to enable someone to start a business, re-unite a family, perhaps even fight for a cause? And all the while acknowledging the little voice inside you that well, encourages you to do otherwise. And this is where Goynar Baksho (The Jewellery Box, Bengali) pulls off an unexpected success, and even as the movie dilates and constricts rather asynchronously in parts, the central theme is rather well established

13/20