As Harsh as it gets

The Revenant will kindle (or rekindle) your interest in the frontiersman, the American a couple of centuries ago living off the land and working at the frontier between the familiar and the utter wilderness. Hugh Glass (Leonardo DiCaprio) gets mauled by a bear and gets abandoned by his furrier mates. He finds his way through utter desolation, battling man and nature, to make it back to habitation and sanity. One is left to ponder which is edgier – the relationship between man and nature, or between men – Indians, Frenchmen and Americans – at war with one another

16.5/20

He Wolf

For me, The Wolf of Wall Street operated at several different levels. At one level is the unavoidable allusions – the Mayflower (twice!), the crazy partying,choices related to marquee employers/small employers/entrepreneurship, the kid that’s oh so close in spite of all that is going on in life, the back pain pills – what can one say save what an outcome in spite of it all?! At another level is the debauchery, the over-the-top movie, the living-on-the-edge recklessness combined with high performance, the coke high to get over the lemmon high, perception versus reality across it all. Jordan Belfort (Leonardo DiCaprio) and Martin Scorcese come together to produce a one-of-a-kind movie that is profane, intense, irretrievably materialistic and out-and-out a one of a kind movie. Absolutely unmissable, whether you belong to the 99% or the 1%

16/20

The More Things Change

New York, 1922. The delirium of bull markets gone wild. The newly rich Jay Gastby (Leonardo DiCaprio), in the aftermath of the First World War, and a blurry past, throws the biggest parties in town, all to catch the attention of the object of his affections – Daisy (Carey Mulligan) – wedded to old money and deep-rooted pride - Tom Buchanan (Joel Edgerton). The Great Gatsby would be remembered for exceptional cinematography, costume design, perhaps even special effects. What I cannot grant it is creating an exceptional cast of convincing characters that truly capture the essence of their inter-relationships, and the capricious spirit of their time, at a level of skill that does true justice to the iconic novel

11.5/20

Dream Merchants

Leonardo DiCaprio (Cobb) continues his winning streak with Inception – a taut sci-fi thriller about men that construct dreams and through them seek to prise out the secrets of their fellow men. Lured by Saito’s (Ken Watanabe) promise of being re-united with his children, Cobb embarks on a mission fraught with danger – the inception of an idea in Saito’s arch-rival Robert Fischer Jr (Cillian Murphy) – to break up the latter’s business empire. Aided by a core team including architect Ardiane (Ellen Page), Cobb and his team must travel successive levels of dreams to seed the idea – and see the fruition of the same in the real world. However, the memories of Mal (Marion Cotillard), the ex-wife of Cobb, cloud Cobb’s presence and his dream, and imperil the success of the mission. With the slightest hint of the Matrix, and of Shutter Island (the movie trails off in a fashion where the eventual truth is unclear), this is a carefully crafted movie with moments of brilliance, and sterling performances all round. But good enough to be cult?.. as in Matrix/ Dark Knight class? Didnt think so.

14.5/20

Watch this movie. Shudder.

Some movies are so good, so watchable, so perfect, they can actually make you go weak in the knees. When Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo), the former an US Marshal, step out to Shutter Island, a correctional facility for the psychologically insane, to investigate the disappearance of one Rachel Salondo, I was expecting a Zodiac or Lonely Hearts style period-piece investigative thriller. But this is a Martin Scorcese flim, and to expect the ordinary is to do gross injustice. The movie twists and turns and it is increasingly hard to make out what is real and what is imagined. Where is Rachel Salondo – did she ever exist. What is this facility about. Who is Chuck? Most of all, who is Teddy and what is in his past? While the plot does unravel and Teddy comes to terms – or close – to the ghosts of his past – till the very end the movie remains shrouded in mystery. Is Teddy cured and headed off the island, or is he still “unwell” and packed off to the mysterious and sinister lighthouse. Think of Scorcese laughing uproariously as he plays with your mind till the very end

18.5/20

Lie Low

In Body of Lies, Ridley Scott juxtaposes two faces of America in the War on Terror. The one, cold and aloof, ensconced in comfortable American suburbia. The other, tough and gritty as he is vulnerable, the man on the ground who has fallen in love with the Middle East. While movies like The Kingdom show the war on terror as a series of military actions, Body of Lies manages to capture the human touch of being in the Middle East and having to deal with Middle Easterners. One liners like “Nobody Likes the Middle East” and the potent understated argument against Americans linger long after the movie. For those who would like to know what America is really working on in terms of counter-terrorism in the Middle East, this is possibly the best movie yet. Di Caprio continues where he left off from in Blood Diamond and The Departed and puts in another sterling performance.