City of Cultural Murder

The Mortal Instruments - City of Bones is good for a laugh, and ranks somewhere between the cringe-worthy Twilight series and the downright horrific Percy Jackson series. It is quite entertaining, with the term mundane quite clearly applicable to the movie as a whole rather than merely humans. There is also the ubiquitous love triangle that makes all such movies so alluring. Stupid stuff

10/20

Frame by Frame

Not for a moment do I deny the cinematic quality, the excellent casting, the flawless special effects, and the sheer riveting spectacle that is The Hobbit - The Desolation of Smaug - the fifth installment of the LOTR/ Hobbit series. The issue is that we are perhaps too used to the excellence, and maybe the reader is left wondering just what justifiable reason could be given for stretching (by LOTR standards, a brief) novel to such lengthy proportions. Yes, it is a good watch while it is there. No, beyond a point, it is just pretty monotonous. A monotonous must-watch - a fate that i suspect that this Hollywood trend of milking franchises to the hilt will have to hear a lot more of

14.5/20

Girl on Fire

If you ignore the sheer murder of elements of ancient history – the pomp and splendor of the gladiatorial arena adorned by tributes in lycra, the hackneyed morality tale meets teen romance storyline, and the hangover of a tepid first part, The Hunger Games – Catching Fire is actually a (gasp!) taut well-narrated story. Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) find themselves reluctant ambassadors for the Capital and President Snow (Donald Sutherland), and their ambivalence and potential to cause disruption is well-noted. Enter the latest edition of the games, and this time it is the 75^th edition and a kill-or-be-killed across previous winners. What the movie obviously lacks in a meaningful storyline, it makes up in some pretty cutting edge cinematography. Worth a watch and will not test your patience at all

14/20

Dark mediocrity

Thor (Chris Helmsworth) and Jane Foster (Natalie Portman) re-unite to fight the forces of the dark world. The latter are the forces released on a once-in-a-millenium planetary alignment that opens up a portal somewhere in London. Thor: The Dark World Pure entertainment, largely mindless and unmemorable, reminiscent of Star Wars more than Norse fable, and set for much commercial success

11.5/20

Chris Helmsworth

Natalie Portman

Tom Hiddleston

Anthony Hopkins

Christopher Eccleston

Jaimie Alexander

Rene Russo

Stellan Skarsgard

Leading from the Front

Captain Phillips, of the movie of the same name, delights with the return of Tom Hanks, who will lead the crew of the ship Maersk Alabama through the attacks of a Somalian pirate crew. Faced off with a pirate crew led by captain Abduwali Muse (Barkhad Abdi), while the crew are overwhelmed initially, soon the power and might of the US navy overwhelm the pirates in question. The movie is not just an action sequence – it exposes the aspirations and vulnerability of a people who are facing some pretty hard choices for improving their lives. Touching not thrilling in the balance, Captain Phillips – and the men he faces off with – all all winners in this sea encounter

14.5/20

Not your Average Game

Andrew Ender Wiggin (Asa Butterfield) is blessed (?) with the right quotient of aggression that could wipe the Formics off the face of the universe and once and for all avenge the pogrom they unleashed upon mankind. A series of trials (in near earth space in zero gravity) create the atmosphere for somewhat incongruous preparations for a final assault. And in the latter, the line between fiction and reality becomes increasingly blurred in Ender’s Game. While mildly interesting, clearly did not bowl me over unlike all the hype

13/20

Gamb-le

A heist with a simple little twist in the tale. Harry Deane (Colin Firth) is seeking to take revenge on his former boss Lord Lionel Shabandar (Alan Rickman) by stealing (or is it substituting?) a painting. He is helped by a free spirited girl from Texas PJ Puznowski (Cameron Diaz). You will not see the last twist coming – not, however, that that makes Gambit particularly remarkable

12/20

Fifth and First

The Fifth Estate profiles the groundbreaking work of Julian Assange (Benedict Cumberbatch), whose key contribution to the noble act of whistleblowing was committing to privacy. While exposes on Julius Baer's shady clients, the goings-on of banks in Iceland and dictators in Kenya, were fairly one-sided stories, the possibility of confidential information putting people in harm's way is accentuated in the last episode of release of information of US Government war-room text messages. A good watch, though perhaps not as intense and engaging as it could have been

13/20

Proud and Strong and Made to Be Free

Mishawr Rawhoshyo (Bengali) takes the proud and unrelenting Kakababu (Prosenjit Chatterjee) to Delhi and then Egypt, to discover the true secret behind certain Egyptian hieroglyphics. Aided by cousin Shontu (Aryann Bhowmik), and an uncertain relationship with the revolutionary-at-large Hani Alkadi (Indraneil Sengupta), Kakababu gets on a search for the truth, fraught with danger, where friends such as the businessman Al Mamun (Rajit Kapur) may not be what they seem. A fitting end to Ashtami/ Nabami this year

13.5/20

What-ever

...and this is where I part ways with the Vigil Idiot. A movie like Chennai Express (Hindi) was not meant to make any sense whatsoever. There is the cast of characters - the boy who has scant regard for tradition, the feisty girl who is the daughter of a South Indian .. er... thug, who finally ropes him in, the illogical sequences and songs... why was it ever supposed to make any sense?! Which does not take away from the fact that the movie does drag in parts

12/20

Grave Challenges

Alfonso Cuaron's Gravity is one to be remembered for excruciating attention to detail. Two astronauts - Ryan (Sandra Bullock) and Matt (George Clooney) - out to repair the Hubble space telescope - are hit by flying debris, and it is a war for survival from there on - played out in absolute silence. Unmissable, for the level.of detailed rendition. Highly recommended

15.5/20

Jobs

While Jobs has opened to somewhat justified mixed reviews, what is indisputable is that pretty much any movie about the life of Steve Jobs is bound to be an inspirational tale. Pure genius combined with force of personality and extreme perfectionism - Jobs shows the copybook old-school recipe for success, with enough and more roadkill on the way. The movie does trail off somewhat abruptly at the beginning of Jobs' second innings. Notwithstanding the indisputable scope of better execution on almost all fronts, Jobs is a pretty decent watch

14/20

Death Race

Rush captures the 1976 formula season - a headlong battle between the flamboyant Brit James Hunt (Chris Hemsworth)  and the ultra-disciplined Nikki Lauda (Daniel Bruhl). Well developed characters, pretty vivid depictions of the tensions on the track. Yet another resounding success from Ron Howard (of Apollo 13, the da Vinci Code, A Beautiful Mind) fame

15.5/20

Adamant(ium) with Japan

Here is a prequel that is unabashedly made for Japanese audiences. With a few skirmishes with Yakuza gangsters and atop bullet trains thrown in for effect in the balance this prequel feels more like a Japanese sitcom with the occasional technological gizmo, or odd ninja, thrown in. Using just about every stereotypical element that one can imagine in a movie that is wholly set in Japan, The Wolverine is unmitigatedly directionless and needs to trail off with the promise of the return of the X-Men for any impact at all

10.5/20

House Down Part Deux

What were the odds of two near-adjacent posts on this blog, both based on movies about the White House going down? This time it is the disgruntled weapons lobby, led by the US President Sawyer’s (Jamie Foxx) former head of security detail – Martin Walker (James Woods) – and a team of mercenaries – that take over the White House over a series of bombings, gunfights, and hostage-takings. Once again it is up to an underdog – out-of-favour Cale (Channing Tatum), out on an ostensibly harmless White House tour with daughter Emily (Joey King), to save the White House and by implication the world. White House Down is a tad more believable than Olympus Has Fallen, with a lot more detail, and never a dull moment

13/20

Pacific Threats

Gigantic sea creatures called the Kaiju come through the Breach – a portal at the bottom of the Pacific – and start devastating cities along the Pacific Rim. Manking designs the Jaeger (robot) program to take on the Kaiju – and succeeds. Till the Jaeger program finds itself questioned, and competing with the Wall, and failures of the Jaegers to take on the particularly larger and more difficult of the Kaiju. However, when the Wall shows the proverbial cracks, and it is again the Jaegers that hold back the Kaiju in Sydney, it is back to the remnants of the Jaeger Program, led by a marginalized Pentecost (Idris Elba), and a notable robot – Gipsy Danger – driven by Becket (Charlie Hunnam) and Mako (Rinko Kikuchi), to save the day and the world. In the words of Del Toro himself, this is no "super-brooding, super-dark, cynical summer movie", and the focus is purely on "big, beautiful, sophisticated visuals". In that he succeeds, but one cannot help feeling that the execution could have been just a little bit better with a little more development of the human characters, especially given the backdrop of shared adversity

13.5/20

Suited to Kill

Suits (TV Series) is the story of the eponymous New York city law firm Pearson Hardman, centered around precocious kid Mike Ross (Patrick J Adams) and mentor and fast riser Harvey Specter (Gabriel Macht). With the support of Jessica Pearson (Gina Torres), and a few allies including rookie Rachel (Meghan Markle) and spunky secretary Donna (Sarah Rafferty), the duo take on unusual client cases, and the likes of disgruntled partner Louis Litt (Rick Hoffman). Suits is a fun watch, perhaps with a weaker cast than say Boston Legal, and weaker cases too – but then Suits makes do… by and large

13.5/20

Another Falling

Out-of-favour Presidential security guard Mike Banning (Gerard Butler) finds himself pitted against a veritable army from North Korea, that somehow manages to mobilize an inconceivably large quantity of people, arms and ammunition, and lays siege to the White House. Full of as many inexplicable moments as there are gun battles (President's son rescued, yet President Asher (Aaron Eckhart) meekly hands over the Cereberus code; the Cereberus code and their failsafes are located in the same physical location - and would  instantly set off the entire US nuclear arsenal when called upon (!!!); the strange and incongruous motivation of Forbes to side with... er... North Koreans), and with a more than decent cast and screenplay trying to rescue an impossible-to-justify storyline, Olympus has Fallen singularly fails to make sense, let alone impress

10.5/20

Welcome to the Planet

Man of Steel owes its excellent execution of a hackneyed genre to some spot-on casting, and a Superman that cuts across a wide swath of dramatic turns - from saving cities and counterattacking aliens in space, to being mama's boy in a remote corner in Kansas. Superman/Clark Kent/ Kal-El (Henry Cavill) is supported particularly well by one Lois Lane (Amy Adams) of insatiable curiosity, and father Jor-El (Russell Crowe) who lives on in spirit - and as an uploaded intelligence over time. The story begins with Jor-El defying usurper General Zod (Michael Shannon) and transporting Kal-El through space to Earth. The same Earth, that becomes the target for Zod as he resurrects himself, and tries to terraform Earth into a Krypton-like world, and wipe out the human race in the process. Hopefully, Kal-El will find the humanity to bridge the races rather than have one survive at the expense of the other. Excellent rendition of a copybook franchise, and a near-unmissable summer entertainer

14.5/20

Dark Horses

Four magicians - Daniel (Jesse Eisenberg), Henley (Isla Fisher), Jack (Dave Franco) and Merritt (Woody Harrelson) - get a mysterious summons that is later found to be from one Arthur Tressler (Michael Caine). The four maricians form the Four Horsemen - who put up a show in Vegas that unbelievably has a man from teh audience rob a bank in Paris, and distribute the largesse to the attendees. The act of crime, however benevolent, does not go unnoticed, and the quartet soon find tenacious detectives Dylan (Mark Ruffalo) and Alma (Melanie Laurent) hot on their trail. But is that really an accurate picture of the goings-on, or, in the true nature of magic, are we seeing less the closer we get? Now you See Me is no The Prestige, but what it lacks in dark noir intensity, it more than makes up in a never-a-dull-moment script with a cops-and-robbers sequence interspersed by some pretty spectacular magic shows

14/20

The Destructive Side

The likes of Robin Cook have continually explored the thin line between going the extra mile for patients versus the pressures of big medicine. When Emily Taylor (Rooney Mara), a depressive patient, is prescribed a new anti-depressant medication on advise of her psychiatrist Jonathan Banks (Jude Law), the consequences are devastating for Emily and her husband Martin (Channing Tatum). As Emily ostensibly grieves over her murdered husband, Jonathan tries to piece together facts that have derailed a promising career, especially the role of Victoria (Catherine Zeta-Jones), Emily’s previous psychiatrist. Side Effects is less about the side effects of medication, that the side effects of all-pervasive and destructive ambition within the medical fraternity

13/20

Future Shock

Even as the world has not quite gotten over Shyamalan-bashing, Shyamalan himself has moved on to a reasonably good piece of work in After Earth. The Pursuit of Happyness showed the intense father-son pairing of Will Smith and Jaden Smith. After Earth takes us to the same pairing. A spaceship carying the duo crash-lands on a (now abandoned by humans) Earth. With lead Will Smith (Cypher Paige) incapacitated, son Jaden Smith (Kitai Paige) is entrusted with a perilous mission to cross a hundred kilometers of hostile terrain to activate an emergency beacon. With an Earth that is perhaps labeled a tad more hostile than the way it has evolved, and friends and enemies alike in nature, Kitai has to battle a plethora of calamities and a paucity of resources, and draws upon generous doses of inspirational pep talk to get to his objective. A movie that has, at the time of writing, faced the harshness of (clearly undeserved) extreme reviews

13/20

The More Things Change

New York, 1922. The delirium of bull markets gone wild. The newly rich Jay Gastby (Leonardo DiCaprio), in the aftermath of the First World War, and a blurry past, throws the biggest parties in town, all to catch the attention of the object of his affections – Daisy (Carey Mulligan) – wedded to old money and deep-rooted pride - Tom Buchanan (Joel Edgerton). The Great Gatsby would be remembered for exceptional cinematography, costume design, perhaps even special effects. What I cannot grant it is creating an exceptional cast of convincing characters that truly capture the essence of their inter-relationships, and the capricious spirit of their time, at a level of skill that does true justice to the iconic novel

11.5/20

Race It

Wanted fugitives Dominic (Vin Diesel) and Brian (Paul Walker) get a new lease of life as they are asked by Agent Luke Hobbs (Dwayne Johnson) to take out a criminal organization led by Owen (Luke Evans) in exchange for clearing their criminal records. Its time for showdown in (mainly) London – with fast cars and a bevy of beauties – including Mia (Jordana Brwester), an estranged Letty (Michelle Rodriguez – permanent female Hispanic lead action fixture), Gisele (Gal Gadot) and the turncoat Riley (Gina Carano). Spellbinding (though logically and scientifically inexplicable) action sequences and engaging car chase scenes – watched this one in a paid preview – yes, was on fast forward, much like everything else in Fast & Furious 6. Not to forget, the movie ends with a cameo by Jason Statham (no less) in Tokyo – the promise of much more to come

13.5/20

An American Nightmare

Fresh-off-boat from Pakistan, Changez (Riz Ahmed) finds a quality education, the girl of his dreams (Erica (Kate Hudson)) and a career of his dreams on Wall Street, in The Reluctant Fundamentalist. It is post 9/11 that the dissonances between what he has left behind and what he has become tear apart Changez’ life. A humiliating strip-search at the airport. A buyout mandate that displaces – renders redundant – a Turkish publisher who is the keeper of the works of many poets, including Changez’ father. A girlfriend who turns around and makes a public exhibition of private vignettes of the relationship with Changez. Perhaps it is time to return to the country of birth and try and improve matters. But, is it also time to give in to the dark clouds of radicalism that hover around Changez. The question lingers in the air, even as the movie trails off with the inevitable real conflicts between the two worlds that Changez traverses

12.5/20

Save the Forest

A dismissive Katherine (Amanda Seyfried) comes to visit her father Professor Bomba (Jason Sudeikis), who is apparently obsessed with the war between the Leaf-Men – led by Ronin (Colin Farrell) – protectors of the forest – and the Boggans – destroyers of the forest – led by Mandrake (Christoph Waltz) – all of which Katherine considers figments of her father’s imagination. The Boggans go one up on the Leaf-men by taking out the Queen of the forest (Beyonce Knowles), and it is up to a (much-diminished) Amanda and her father to bring in some timely intervention and save the trees and those that, well, protect them. Based on William Joyce’s The Leaf Men and the Brave Good Bugs, Epic is the children’s movie for the ongoing summer holidays – not breathtaking or deep, just pretty well made

13.5/20

Darkness and Light

In Star Trek – Into Darkness, JJ Abrams scripts a taut thriller that is centered around a former starship captain – Khan (Benedict Cumberbatch) gone rogue – rather than the hackneyed alien encounters of old. Apart from saving the introductory planet through dazzling special effects, and one minor Klingon encounter, there is no long drawn alien engagement. Rather, it is James Kirk (Chris Pine), and Spock (Zachary Quinto) coming to terms with their personalities, their relationship, a misguided leader in Admiral Marcus (Peter Weller), and of course the great Khan threat. The special effects are expectedly mindblowing, including possibly the first instance of the equivalent of base jumping in space. This is a different Star Trek, with more overtones of terrorist threats and dual personalities, than the copybook 20^th century Star Treks and their extra-terrestrials

14.5/20

Treasured

What would you do if you had a little treasure trove, like Pishima – or her ghost – did, say all of 5 kilos of gold? Would you bury it in hate and spite, use it as a tool for maintaining primacy and engendering conflict, driven by the ghosts of your own sad and troubled past? Or would you, over time, start believing in the goodness of human nature and start using the treasure trove to enable someone to start a business, re-unite a family, perhaps even fight for a cause? And all the while acknowledging the little voice inside you that well, encourages you to do otherwise. And this is where Goynar Baksho (The Jewellery Box, Bengali) pulls off an unexpected success, and even as the movie dilates and constricts rather asynchronously in parts, the central theme is rather well established

13/20

Crude but Effective

The overprotective Neanderthal caveman Grug (Nicholas Cage) finds his match in daughter Eep (Emma Stone) who is anything but amenable to being kept indoors (or in a cave, as it may be). It takes the intervention of the inventive and vastly evolved boy Guy (Ryan Reynolds), a precocious early man who invents fire, prognosticates the end of the world - fairly cataclysmic and disruptive tectonic events - that force  The Croods to change their habitation and their very way of life. Without the intensity of the likes of Wall-e and Finding Nemo, The Croods is nevertheless an effective and exciting watch and quite the unmissable one for children this summer

13.5/20

Man of Iron

Tony Stark (Robert Downey Jr) is Iron Man, in Iron Man III, with or without the eponymous battle suit. Faced with the challenge of the unknown Mandarin, Tony Stark must save Pepper Potts (Gwyneth Paltrow), right hand man  James Rhodes (Don Cheadle) and the entire US leadership - after challenging the Mandarin to open combat. The journey takes Tony Stark to faraway Tennessee and the combat between the once-spurned villian Adrian Killiach (Guy Pearce) and his nefarious scheme, and our superhero, is as intense as it has ever been in the Iron Man franchise. Iron Man III delivers, and delivers well, and for some reason trails off with Mark Ruffalo and the promise of more to come

13.5/20

Oblivious Workers

Jack (Tom Cruise) and Julia (Andrea Riseborough) work out of an earth-based station to protect installations that mine sea water for energy production. It is a ravaged earth, with a few survivors (scavs, short for scavengers) kept in their place by droids. Jack’s undying curiosity, leads him to rescue Julia (Olga Kurylenko), who he finds to be his wife. Things are not quite what they seem, and an ostensibly hostile encounter with the scavs including their lader Beech (Morgan Freeman) leads him to discover the reality behind his existence, and the role played by Sally, the intelligence that has assigned Jack and Julia (s?) their roles. Oblivion is entertaining, but has borrowed liberally from Moon (clone-based mining) and Independence Day (destroy an intelligence hovering over earth bent on annihilating mankind). Notwithstanding the obvious sources of inspiration, a good if not quite edge-of-the-seat entertainer

13.5/20

GI makeover

The all-American franchise quickly dumps Duke (Channing Tatum) in the wild wastes of Pakistan, and the Rock takes over from there. In their biggest challenge yet, surviving Joes Roadblock (Dwayne Johnson), Flint (DJ Cotrona) and Lady Jaye (Adrianne Palicki) team up with Snake Eyes (Ray Park), Jinx (Elodie Yung) and unexpectedly Storm Shadow (Byung-hun Lee), to take out the threat of Cobra Commander (Luke Bracey) and an impostor US President (Jonathan Pryce), bent on doling out annihilation – nuclear or otherwise. The Nuclear Summit involving all key heads of state becomes the battleground for the final showdown between good and evil, with much noise and fanfare and pump-up music. Oh, and an honorable mention to General Joseph Colton (Bruce Willis), apparently the founding father of the Joes. Watch GI Joe: Retaliation for nothing in particular besides well-executed action sequences

12/20

Witch of Them is It?

Small-time Kansas conjurer Oz (James Franco) finds himself whisked off to the land of Oz – where three beautiful women – Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams) – play a veritable whodunit in terms of who among them is the Wicked Witch. Suffice to say that while Oz – The Great and Powerful – does not do disservice to L Frank Baum’s original, it is markedly different – in particular, invoking the great Thomas Alva Edison and a different kind of magic in 20^th century science. Well taken, and contemporary enough overall to be relevant

13.5/20

Full of Beans

With a few smartly crafted twists and turns, Jack the Giant Slayer is the story of Jack (Nicholas Hoult), a spunky if somewhat distracted farm-boy, his muse the Princess Isabelle (Eleanor Tomlinson), and a few knights of the realm of Cloister – notable among them the honorable Elmont (Ewan Mc Gregor) and the nefarious Roderick (Stanley Tucci). When a small escapade leads Jack to possess certain beans, and his paths cross with that of a princess bent on escaping the confines of her castle, the two embark on an unlikely adventure that faces up to the Kingdom of Giants, the stuff of fables brought to a grim reality. Quite the children’s entertainer, and never a dull moment - mostly

11.5/20

Rising, hopefully

What drew me to Batman Begins and The Dark Knight was their indisputable clarity - the clean fine execution and character sketches in taut plots. And that is precisely where I lost it with The Dark Knight Rises. The sheer clutter of a "decommissioned" Batman, the wiles of a Cat-woman, the inevitable comparisons of Bane (Tom Hardy) to the inimitable Joker (Heath Ledger) in the preceding edition - all of it, for the non-diehard Batman fan, was really a smorgasbord of events and characters that left anything but an indelible impression. What a mishmash to end one of the best series of all time. Expectedly, the movie drew praise from viewers and critics alike - the perils of a cult fan following that is all too willing to live the moment and forgive all

10.5/20

Birth of a Nation

Lincoln is, quite simply, one of the best movies I have seen in a long time. In Lincoln, Daniel Day Lewis does not play Abraham Lincoln, he is Abraham Lincoln, living, breathing, taking decisions, running a family. The leadership qualities of Lincoln come to the fore as he balances ending a war and abolishing slavery, with a few decisions that err towards choosing the greater good and associated realpolitik. This is a movie for posterity, and one for your collection. Suffice to say that I cannot remember a movie in memory that moved me quite as much, Steven Spielberg dramatic effect notwithstanding

17.5/20

Robber, Robbed

Master of heists Will Montgomery (Nicholas Cage) does what he needs to do and injures fellow partner in crime Vincent (Josh Lucas) in an attempt to flee a crime scene without any collateral damage. Will however does not make it far, and, after eight years of incarceration, looks forward to being re-united with daughter Alison (Sami Gayle). Vincent has other plans, however, and a highly skeptical FBI led by Tim Harlend (Danny Huston) does not help either. With a little help from ex-con-woman Riley (Malin Akerman), Will races against time and the ghosts from his past. Stolen is your average unmemorable entertainer that is easy on the eye and your time, without even remotely aspiring towards the spectacular

11.5/20

Non Sleazy Sex Line

 

 

What happens when two single women in New York need to pool their resources, post layoffs breakups and other assorted tragedies, and find themselves a place to live. Simple – they start a sex chat line to start paying the bills. Well, on that front, Katie Steele (Ari Graynor) is the original entrepreneur, and Lauren (Lauren Miller) is the initially reluctant but eventually highly successful partner. The line of business, expectedly, does not sit well with parents and sundry others, and fights ensue between the partners as well. For a Good Time Call is a light take on using unconventional means to get by, and on friendship. And while not an outstanding movie by any means, it is definitely not titillating as the suggestive title would imply

 

11.5/20

 

 

Flagging Race

Race 2 moves fast, entices, glitters with Jacqueline Fernandez and Deepika Padukone glam, but does not captivate. Ranvir Singh (Saif Ali Khan) is on a  revenge trip against Turkish don Armaan Malik (John Abraham), but whether Armaan’s girlfriend Omisha (Jacqueline Fernandez) and sister Elena (Deepika Padukone) are friend or foe, are to be determined over the course of the movie’s many twists and turns. In the end, Race 2 is an entertainer that does not quite live up to its hype

11/20

Power in Grey

In the power plays in an ad agency, ad maven Rahul (Arjun Rampal) and protégé Maya (Chitrangda Singh) turn competitors and lovers. Even as they get into daily workplace skirmishes, the tension between them manifests itself in an ugly sexual harassment lawsuit. Inkaar is not about taking sides in the “sexual harassment in the workplace” debate. Rather, it is about two individuals, drawn by mutual attraction and shared levels of ambition, yet pitted against each other in the typical Darwinian workplace. Some pretty demanding character acting sets this one apart – though in the end the movie trails off rather inconclusively. Inkaar has been generally poorly received, a fact that does not do justice to the rather intense performances by the two not-so-seasoned leads

12/20

Rise of Innocence

 

Do you believe in Jack Frost? How about Santa Claus, the Tooth Fairy, the Easter Rabbit, and Sandman? It is when the innocence of children believe in these, that they come to pass. Else, they disappear. And what of Pitch, aka the Boogeyman? Again, the belief of children alone makes it come to pass, or otherwise. Together, the Guardians must defeat Pitch, who is out to basically steal from children the very essence of childhood – the sense of wonder. What stands out in Rise of the Guardians is the truly exceptional visual effects. The quality of production herein is truly outstanding, which keeps it from becoming just a children’s fable at the theater and keeps the adults – well, believing. A must watch for children that parents will enjoy as well

14/20

Chulbule II

The irrepressible Chulbul Pandey (Salman Khan), now hitched to wife Rajjo (Sonakshi Sinha) is now posted in Kanpur, where he continues his streak of doing the right acts for the wrong reasons. Replete with item numbers and catchy one-liners, Dabangg 2 however does not quite pack the element of surprise that was Dabangg. Nevertheless, it has been quite successful, commercially (expectedly) and is apparently leading to a prequel that explores the origins of Chulbul Pandey

11/20 

More ghosts of Bengal

Close on the heels of Bhooter Bhobishyot, a fairly successful spook movie in Bengali, comes Jekhane Bhooter Bhoy, a bouquet of three ghost stories directed by none other than Sandip Ray. A seasoned spook-watcher hits the trail in North Bengal on an overnight stakeout. An avid reader reaches out to a friend for spending a day in an erstwhile English mansion, where a rumoured ghost called Simon does the haunts. An author in search of solace and inspiration comes across a ghost with an agenda, and much treasure instead. Simple and unpretentious, reasonably original, and good for a single viewing

12/20