Hope (Slowly) Belied

A Most Wanted Man is a dark brooding (way too brooding) adaption of a John LeCarre novel. Issa Karpov (Grigoriy Dobrygin) is escaping the war in Chechenya and the horrors inflicted by the Russians – including his own father – and immigration lawyer Annabel Richter (Rachel McAdams) becomes a source of hope for him, in seeking asylum in Germany. Anti espionage agent Gunther Bachmann (Philip Seymour Hoffman) is looking at extracting information – and an amicable solution to the plight of Grigoriy – but is that likely to happen? Ponder over that along with the chain-smoking Gunther, slowly and laboriously, as the answer indeed shall come to pass. Marketed as a thriller but clearly a drama at heart, A Most Wanted Man is one for the diehard spy whodunit aficionados

12.5/20

Fifth and First

The Fifth Estate profiles the groundbreaking work of Julian Assange (Benedict Cumberbatch), whose key contribution to the noble act of whistleblowing was committing to privacy. While exposes on Julius Baer's shady clients, the goings-on of banks in Iceland and dictators in Kenya, were fairly one-sided stories, the possibility of confidential information putting people in harm's way is accentuated in the last episode of release of information of US Government war-room text messages. A good watch, though perhaps not as intense and engaging as it could have been

13/20

Death Race

Rush captures the 1976 formula season - a headlong battle between the flamboyant Brit James Hunt (Chris Hemsworth)  and the ultra-disciplined Nikki Lauda (Daniel Bruhl). Well developed characters, pretty vivid depictions of the tensions on the track. Yet another resounding success from Ron Howard (of Apollo 13, the da Vinci Code, A Beautiful Mind) fame

15.5/20

The Strangest Resistance

Colonel Hans Landa (Christoph Waltz) gives a stunning performance in Tanantino’s latest – Inglourious Basterds, - that sees alternate history as two parallel and similar plots are hatched to put an end to the Third Reich. Rather limited in the insanity quotient, and actually serious in parts, the plot revolves around the Nazi-killer team led by Lt Aldo Raine (Brad Pitt) and their encounters. Typical chapter-based Tarantino narration – the first scene about the purge and introduction to the central character of menace, the long scene and encounter wrt Bridget von Hammersmark (Diane Kruger) in the basement, the showdown between Hans Landa and the German actress, are the most memorable. The inexplicable fact of Shoshanna owning a theater in the heart of Paris explained away rather trivially, the sharpshooter Pvt Frederick Zoller (Daniel Bruhl) and his mixed emotions, the ramblings on Goebbels’ propaganda, the strange silouhette of Marcel and his giant pile of inflammable film make sure that Tarantino’s quirky touch is very much alive and kicking. A mellower, more circumspect Tarantino, but enough to keep fans engaged

15.5/20