Fifth and First

The Fifth Estate profiles the groundbreaking work of Julian Assange (Benedict Cumberbatch), whose key contribution to the noble act of whistleblowing was committing to privacy. While exposes on Julius Baer's shady clients, the goings-on of banks in Iceland and dictators in Kenya, were fairly one-sided stories, the possibility of confidential information putting people in harm's way is accentuated in the last episode of release of information of US Government war-room text messages. A good watch, though perhaps not as intense and engaging as it could have been

13/20

Falling off, Falling Apart

Standing on a ledge in the Roosevelt Hotel and ostensibly about to plunge to his death, Nick Cassidy (Sam Worthington) is a man hellbent on making a point. While the New York mob, hungry for entertainment, periodically cheers on, and the press collect their sound-bytes, Nick – a man wrongfully charged for a crime that he did not commit – is directing brother Joey (Jamie Cassidy) and his girlfriend Angie (Genesis Rodriguez) to commit the very crime for which he was wrongfully imprisoned in the first place. Included in the cast of characters is negotiator Lydia (Elizabeth Banks) and her efforts at making sense of it all even as she tries to put her past track record behind, and businessman David Englander (Ed Harris), the man who was instrumental in sending Nick to prison in the first instance. Movies like Man on A Ledge only serve to show that actors of the caliber of Sam Worthington can hold a movie together in spite of a mediocre storyline

12/20

Real Motivation

It is hard going to create something relatively original in the action genre. And that is why Shawn Levy should be particularly proud. Real Steel showcases the cult of the fighting robot – from the third tier robots in bullfights, to global celebrity Zeus and its marketing and technology machine, the movie breaks something close to new ground in creating an action sub-genre. And the cast helps in no small measure – especially the now-on now-off father-son duo of Charlie (Hugh Jackman) and Max Kenton (Dakota Goyo). Charlie’s best days as a boxer – robot or otherwise – appear firmly behind him. Till Max comes back into his life, and shows him once again what it is to fight for what one believes in. Real Steel is about the old adages of how it is never too late to try, and why one should never ever give up

15.5/20

Bombs, Away

Like Enemy at the Gates (snipers), The Hurt Locker focuses on a single war-zone (Iraq, circa today) and one category of soldier (bomb detection squads). Unlike the morality tales like Lions for Lambs, The Kingdom and Body of Lies, there is no lesson purported to be delivered herein. This is about the intensity, and the role of each of the members of an elite bomb detection squad, in the heat of combat. Unavoidably, the groups gets embroiled in other aspects of war that is strictly not their domain, such as sniping across vast expanses of desert, or giving chase to bombers across dark urban alleyways in the dead of the night. The spirit of the group is epitomized by Sgt Matt Thompson – who returns injured and cussing from the epicenter of battle to home and family, and then in an epiphanic moment in a supermarket, decides to return to the Bravo Company for another 365 day stint at what he really loves doing. Great “action” sequences delivered with a deliberate lack of melodrama

14.5/20