Soaring

Riggan (Michael Keaton) aka Birdman - a stereoytped actor from yesteryears, is attempting to resurrect his career in the face of a hostile and unrelenting media reception, estranged daughter Sam (Emma Stone), demanding method actor Mike (Edward Norton) whom he cannot do without - but most of all the ghosts of Birdman lurking in his mind, that are telling him to let go of Broadway ambitions, and pander to the kitschy tastes of his loyal audience. Brilliantly executed, somewhat predictable, full of allegory. Well-packaged Academy Awards candidate

15/20

Crude but Effective

The overprotective Neanderthal caveman Grug (Nicholas Cage) finds his match in daughter Eep (Emma Stone) who is anything but amenable to being kept indoors (or in a cave, as it may be). It takes the intervention of the inventive and vastly evolved boy Guy (Ryan Reynolds), a precocious early man who invents fire, prognosticates the end of the world - fairly cataclysmic and disruptive tectonic events - that force  The Croods to change their habitation and their very way of life. Without the intensity of the likes of Wall-e and Finding Nemo, The Croods is nevertheless an effective and exciting watch and quite the unmissable one for children this summer

13.5/20

On Benefits...

Headhunter Jamie (Mila Kunis) closes an assignment with Dylan (Justin Timberlake) that sees the latter relocating to New York. The duo decide to try out intimacy without commitment, that works for a while, but eventually they decode to go their own separate ways. And expectedly, not for long, for in the world of the romantic comedy genre, sex without feelings is an obvious impossibility. Like any other romantic comedy with an apology for a plot, Friends with Benefits hinges on the chemistry between the lead pair – and there is plenty of that. Worth a watch, if you care about the genre, that is

13.5/20

Fun with the Dead

Zombieland is a horror-comedy on America becoming a land of zombies, and four survivors coming together in the unlikeliest of circumstances. The protagonist, Columbus (Jesse Eisenberg), a self-confessed loner and survivor of many encounters with the zombies through a set of rules that he has made for himself, meets Tallahassee (Woody Harrelson), a trigger happy zombie killer on his quest for hometown, Twinkies, and the erasing of the memories of a lost son. They meet two sisters Wichita and Little Rock (Emma Stone and Abigail Breslin), whose survival strategy happens to be conning the last few survivors (which includes Columbus and Tallahassee), and whose objective is to find their way to Pacific Playland, an amusement park. Through deepening ties in the face of mistrust, and faux pas’ such as killing Bill Murray by accident, the movie ends with a scene of climactic encounters at the amusement park, and the realization all round that without life’s little pleasures, and people you can call family, perhaps we would rather all be zombies. But this is no morality tale, this is an interesting little movie taking the hackneyed zombie theme and bringing it all together rather nicely. Expect Planet Terror style gutwrenching visuals, and moments of genuine human emotion

13.5/20