Showing posts with label Edward Norton. Show all posts
Showing posts with label Edward Norton. Show all posts

Saturday, March 14, 2015

Soaring



Riggan (Michael Keaton) aka Birdman - a stereoytped actor from yesteryears, is attempting to resurrect his career in the face of a hostile and unrelenting media reception, estranged daughter Sam (Emma Stone), demanding method actor Mike (Edward Norton) whom he cannot do without - but most of all the ghosts of Birdman lurking in his mind, that are telling him to let go of Broadway ambitions, and pander to the kitschy tastes of his loyal audience. Brilliantly executed, somewhat predictable, full of allegory. Well-packaged Academy Awards candidate

15/20

Sunday, May 18, 2008




Mixed bag


Many years of *not watching much by way of movies* can lead to many years of glorious catching up! Chinatown (http://www.imdb.com/title/tt0071315/) is the kind of movie that one would dread reviewing, possible but not probable that one would be able to add much by way of fresh thought on what has been called in multiple fora as the "Finest Film of the 70's" and is in any case anthologized to weariness. Jack Nicholson is superlative, Roman Polanski signs off with a (wholly unnecessary?) macabre end. Made me think of cliches of brittleness and futility of life than suspense and the politics of water, really. Film noir calls for careful exploration

With a lot less trepidation, I write on Monty Python and the Holy Grail (http://www.imdb.com/title/tt0071853/), pretty much popcorn to Chinatown's complex concoction. Comedic capers and Brit wit, and what really stands out for me is being relevant and genuinely funny thirty years down. Not a mean acheivement. And a hilarious one, too




Back to times more contemporary. Edward Norton remains a favourite, and neither American History X (http://www.imdb.com/title/tt0120586/) nor Primal Fear (http://www.imdb.com/title/tt0117381/) in the least diminish. What would you say of this man in the former (juxtaposed as he is against a young and impressionable Edward Furlong (T2 etc))? I would say that Mr Norton is as accomplished an actor as any, carries off venal hatred and cold malice well, but unlike many that deviate and die, is prone to morality tales - American History X, and Kingdom of Heaven and Fight Club to boot, have him "come round" and question his chosen path. Not so Primal Fear. It is exciting as Anthony Hopkins is exciting as Hannibal, and it is unapologetic and unredeemed. One wishes the actor really gave us some notice of where his heart really lies. Richard Gere - well, I didn't quite get what the fuss with his performance was all about - much like George Clooney in Michael Clayton, I'd say - reserved, strong and ordinary





Cast of The Great Debaters on Oprah


In other noteworthy movies I have seen of late, Barton Fink indulgently questions creativity - both the Hollywood Movie Mogul kind and the Broadway inspired scriptwriter kind. Yet again Forest Whittaker and Denzel Washington dazzle us in The Great Debaters, another pre-affirmative action movie, this time with a debate team of a *negro* college taking on Harvard and winning - some of the debates make for good listening, Indian viewers may well like the repeated references to Gandhi, a contemporary in the 1930s setting of the movie. Untraceable is the periodic catharsis of out Internet-and-all-that-it-purports conscience and one cannot help wondering whether parts of the movie were not meant to titillate. No such *moral ambuiguities* in P2, your regular urban horror flick - I only chose this movie because Rachel Nichols looks remarkably attractive in it!


Scenes from P2


Whew.

Its 2.50AM. Would like to catch up tomorrow on The Chronicles of Narnia: Prince Caspian - I am not a reader of the series but it does seem to be more substantial than ridiculously ageing wizards

Wednesday, May 07, 2008

Of Fights and One's Identity

The Hurricane (http://www.imdb.com/title/tt0174856/) fails. Denzel Washington is as superlative as ever, and the aggression metamorphosing into calm inner strength is quite brilliantly executed. What really fails are the contradictions with the real life of Reuben Carter. If you scratch the surface of this movie, it falls leagues in your eyes on grounds of sheer authenticity. It seems that "artistic license" here has quite distorted a person that was not quite a pleasant character, pretty much throughout his life

Two of the best movies that I have ever seen are Trainspotting (http://www.imdb.com/title/tt0117951/) and Fight Club (http://www.imdb.com/title/tt0137523/). While the former stops at seeking one's identity and finding a modicum of sanity after working through a set of hilarious self-destructive capers, the latter is truly a dark movie about alter ego. The fact that your alter ego can actually surpass you in everything, and bring his plans to fruition, and finally break free of you, has more than a passing appeal in our unceasingly boring existences. Edward Norton's daily existence closely mirrors that of Neo in the Matrix' first installment. Who knows if a sheer genre can be carved out of the unexpected outcomes of monotony in urban life!


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