The Linguist

Here is the rarest of rare opportunities for linguist Louise (Amy Adams) to show her consummate skills in interpreting cephalopod alien language. With some assistance from Ian (Jeremmy Renner), army physicist, Louise gets going on the path to preventing global catastrophe, finding love, and perhaps seeing the future. Somewhere down the line Arrival loses the script in terms of delivering a true emotional connect, Perhaps it is a lot less overwhelming than critics are currently making of it. In a genre that is increasingly taking off, this is no The Martian nor Interstellar

13.5/20

To Err (repeatedly) is Human

Newly out of work Travis (Adrien Brody) finds himself volunteering for a paid experiment, with the promise of $ 1000/ day of compensation, for a period of 14 days. The study – to play the role of one of the prisoners as part of an experiment, wherein other volunteers, notably Barris (Forest Whittaker) act as the guards. In an experiment where the only restrictions on prisoners include never speaking to guards unless spoken to, and finishing all of their food, simple transgressions take an ugly turn as the prisoners led by Travis grapple with one diabetic in their midst, the uncertain food, et al, while the guards led by Barris take increasingly violent and regressive steps to address what they see as a growing challenge to their authority. In an experiment that would ostensibly terminate on the first hint of violence, much blood is shed before the same comes to an abrupt halt, and the movie trails off with a call to justice. With overtones of America’s reality of Guantanomo Bay, and movies such as Blindness, The Experiment shows just how degenerate a regular group of humans can become in a setting that has the slightest hint of an imbalance of power. A good movie that makes for some really heavy viewing

13.5/20

Reality Radio

Good Morning Vietnam is largely classified as a "funny" movie. Apart from the humour in the dialogue, there is very little that is funny about the movie. This is an alternative take on Vietnam from the jungles and trenches, and shows a rapidly escalating conflict through the eyes of an observer who is mirthful, engaged and aware. What better way of bringing out the humanity of war than the fine line between friendship and terrorism, the impossibility of some relationships, and the simple poignancy of teaching baseball and colloquial English to a largely deadpan group of Vietnamese? The fact that there is so much concerted effort to suppress Adrian Cronauer's (Robin Williams) brand of humour only underscores the importance of his message. In a time when the world debates US engagement in Iraq and Afghanistan, this is an important movie to watch and understand the simple realities of a zone of conflict.

Mixed bag

Many years of *not watching much by way of movies* can lead to many years of glorious catching up! Chinatown (http://www.imdb.com/title/tt0071315/) is the kind of movie that one would dread reviewing, possible but not probable that one would be able to add much by way of fresh thought on what has been called in multiple fora as the "Finest Film of the 70's" and is in any case anthologized to weariness. Jack Nicholson is superlative, Roman Polanski signs off with a (wholly unnecessary?) macabre end. Made me think of cliches of brittleness and futility of life than suspense and the politics of water, really. Film noir calls for careful exploration

With a lot less trepidation, I write on Monty Python and the Holy Grail (http://www.imdb.com/title/tt0071853/), pretty much popcorn to Chinatown's complex concoction. Comedic capers and Brit wit, and what really stands out for me is being relevant and genuinely funny thirty years down. Not a mean acheivement. And a hilarious one, too

Back to times more contemporary. Edward Norton remains a favourite, and neither American History X (http://www.imdb.com/title/tt0120586/) nor Primal Fear (http://www.imdb.com/title/tt0117381/) in the least diminish. What would you say of this man in the former (juxtaposed as he is against a young and impressionable Edward Furlong (T2 etc))? I would say that Mr Norton is as accomplished an actor as any, carries off venal hatred and cold malice well, but unlike many that deviate and die, is prone to morality tales - American History X, and Kingdom of Heaven and Fight Club to boot, have him "come round" and question his chosen path. Not so Primal Fear. It is exciting as Anthony Hopkins is exciting as Hannibal, and it is unapologetic and unredeemed. One wishes the actor really gave us some notice of where his heart really lies. Richard Gere - well, I didn't quite get what the fuss with his performance was all about - much like George Clooney in Michael Clayton, I'd say - reserved, strong and ordinary

Cast of The Great Debaters on Oprah

In other noteworthy movies I have seen of late, Barton Fink indulgently questions creativity - both the Hollywood Movie Mogul kind and the Broadway inspired scriptwriter kind. Yet again Forest Whittaker and Denzel Washington dazzle us in The Great Debaters, another pre-affirmative action movie, this time with a debate team of a *negro* college taking on Harvard and winning - some of the debates make for good listening, Indian viewers may well like the repeated references to Gandhi, a contemporary in the 1930s setting of the movie. Untraceable is the periodic catharsis of out Internet-and-all-that-it-purports conscience and one cannot help wondering whether parts of the movie were not meant to titillate. No such *moral ambuiguities* in P2, your regular urban horror flick - I only chose this movie because Rachel Nichols looks remarkably attractive in it!

Scenes from P2

Whew.

Its 2.50AM. Would like to catch up tomorrow on The Chronicles of Narnia: Prince Caspian - I am not a reader of the series but it does seem to be more substantial than ridiculously ageing wizards