Finding Character

Finding oneself is a journey, and even Deadpool (Ryan Reynolds) hides low self-esteem and ADHD behind layers and layers of trash talk. A used car salesman with all of nine people in his life – Deadpool gets transported to a different timeline to find the Anchor Being (Wolverine (Hugh Jackman)) – however the instance of the multiverse where this rather tenuous association between Deadpool and Wolverine is to be is called the Void – a Mad Max-esque (with credits) world where one Cassandra Nova (Emma Corrin) turns out to be the arch-villain. With many other characters such as X23 (Dafne Keen), Elektra (Jennifer Garner), The Human Torch (Chris Evans) and Gambit (Channing Tatum) in tow. Adequately entertaining, with a reasonable storyline and engaging renditions of 70’s and 80’s music (think Like a Prayer to Time of Your Life), this is saving the hackneyed Marvel franchise – for now. As with the multiverse and our timeline in the story. High marks for energy

15.5/20

Half past Dead

Deadpool has a decibel of trash talk that most Indian viewers will not empathize with. Deadpool (Ryan Reynolds) is the average Joe, falls in love with Vanessa (Morena Baccarin) and very soon after the idyllic existence is shattered – he has terminal cancer and must undergo a transmogrification to superhero to justify his existence. And that leads to a face-off with the evil scientist Francis aka Ajax (Ed Skrein) – entertaining, and the hackneyed action interspersed with the dark humor is definitely a shade badass, but not quite a stuff-of-legends-franchise-creator for me

13.5/20

Being yourself

Damian Hale (Ben Kingsley), real estate mogul, does not have long left to live. He finds his way to one Professor Albright (Matthew Goode) where through a process called "shedding", Damian is reborn as Edward (Ryan Reynolds). Things get complicated as Damian finds that the body that he now occupies actually belongs to one deceased Mark, and Mark's wife Madeline (Natalie Martinez), has been struggling to bring up their six year old daughter, since Mark's demise. Self/ less is at the heart a simple story of heart over mind, man over machine, well constructed

14/20

Crude but Effective

The overprotective Neanderthal caveman Grug (Nicholas Cage) finds his match in daughter Eep (Emma Stone) who is anything but amenable to being kept indoors (or in a cave, as it may be). It takes the intervention of the inventive and vastly evolved boy Guy (Ryan Reynolds), a precocious early man who invents fire, prognosticates the end of the world - fairly cataclysmic and disruptive tectonic events - that force  The Croods to change their habitation and their very way of life. Without the intensity of the likes of Wall-e and Finding Nemo, The Croods is nevertheless an effective and exciting watch and quite the unmissable one for children this summer

13.5/20