Power in Grey

In the power plays in an ad agency, ad maven Rahul (Arjun Rampal) and protégé Maya (Chitrangda Singh) turn competitors and lovers. Even as they get into daily workplace skirmishes, the tension between them manifests itself in an ugly sexual harassment lawsuit. Inkaar is not about taking sides in the “sexual harassment in the workplace” debate. Rather, it is about two individuals, drawn by mutual attraction and shared levels of ambition, yet pitted against each other in the typical Darwinian workplace. Some pretty demanding character acting sets this one apart – though in the end the movie trails off rather inconclusively. Inkaar has been generally poorly received, a fact that does not do justice to the rather intense performances by the two not-so-seasoned leads

12/20

Naxalites for Dummies

Whoever knew that the life and times of Naxalites could be summarized in such stirring simplicity? Adil (Arjun Rampal) and Kabir (Bobby Deol) are inseparable friends - Adil being a police officer who is posted to Nandighat to bring a Maoist uprising under control. Lo and behold - Kabir, upon the request of Adil, nearly effortlessly infiltrates the Maoists and successfully provies intelligence that allows the Indian police to gain an upper hand in the conflict. Unsurprisingly, Kabir is not only moved by the stark reality of the marginal existence of the Naxalites, he is also besotted by one Naxal woman - Juhi (Anjali Patil). Inevitably, the paths of Adil and Kabir diverge, and move inexorably towards a climactic end. With one of the most unbelievably inane dialogues ever uttered in cinema, Rhea (Esha Gupta) also makes her presence felt ("Sorry Kabir"). Prakash Jha could have blazed a trail - Chakravyuh is at best ridden with holes. And that too on such a burning issue. Tch

9/20

Please Go Away

There are movies that seem stuck in a time-warp – no matter how much times change, there does not seem to be any respite for the audience from the tearjerker content. When Kajol, Kareena, and Arjun Rampal start exploring the touchy topic of a broken family and new relationships, and the effects of the same on children, with the further angle of all of the said people being Indian diaspora, We Are Family seems to be a movie with a lot of promise. When Kajol gets detected with cancer, and the audience gets treated to a tsunami of melodrama, you are left with your head reeling from the senselessness of the portrayal and the sheer torment of the audience experience. This is a movie that takes on a topic of note, then goes out there and shoots itself. ‘nuff said

6.5/20