Be Real

Sitting with Rikk sleeping on my lap, on a Sunday evening, I wished for my very own six-year old that he always remains Divergent – at least all of Erudite, Dauntless and Abnegate. And this is where this piece of teen fiction-turned-movie is a winner for me. It has a core thesis – a rarity and a great find – and some great acting in terms of a very central lead Beatrice Prior (Shailene Woodley), who, with the weight of being a Divergent, has to find an acceptable path for herself, her affections, and her world. Well-paced, reasonably authentic, somewhat gripping, a must-watch

15/20

Another Falling

Out-of-favour Presidential security guard Mike Banning (Gerard Butler) finds himself pitted against a veritable army from North Korea, that somehow manages to mobilize an inconceivably large quantity of people, arms and ammunition, and lays siege to the White House. Full of as many inexplicable moments as there are gun battles (President's son rescued, yet President Asher (Aaron Eckhart) meekly hands over the Cereberus code; the Cereberus code and their failsafes are located in the same physical location - and would  instantly set off the entire US nuclear arsenal when called upon (!!!); the strange and incongruous motivation of Forbes to side with... er... North Koreans), and with a more than decent cast and screenplay trying to rescue an impossible-to-justify storyline, Olympus has Fallen singularly fails to make sense, let alone impress

10.5/20

A Time for Friends

With strong overtones of To Kill a Mockingbird, A Time to Kill shows how little has changed In America in fifty years (or has it?) White supremacists still walk free, the racial debate is still the subject of angry politics, and the relationship between the black man and the white man strained at best. The relationship between Matthew McConnaughey and Samuel L Jackson is the highlight of the movie – terse, quiet, the latter never believing in the former’s empathy, the former always on the back foot in establishing himself as a legitimate “white” lawyer for a black man. The summation scene lacks the intensity of most Grisham adaptations