Contrarian Rules

Dr Michael Burry PhD (Christian Bale) holds his own in his conviction about the fragility of the US economy at a time when the US housing market was seeing only go-go days. An uncertain partnership between Deutsche trader Jared Vennett (Ryan Gosling) and the incendiary Morgan Stanley-affiliated trader Mark Baum (Steve Carrell) also look to short the housing market in a deeply contrarian bet. Perhaps the coolest bet of all - Bloomfield Capital, a $ 30 mln fund from Boulder, Colorado, looks to working with retired banker and survivalist Ben Rickert (Brad Pitt) to go as deep as shorting AAs, in line with their strategy of picking up deep out of the money options. With inserts from an unlikely ensemble of characters that includes pop stars and celebrity chefs, The Big Short is one of the best movies that I have seen in a long time

16/20

Moses Reloaded

Moses (Christian Bale) is a general and member of the Royal family of Egypt. His bond with Ramesses (Joel Edgerton) is strong – borne out particularly by saving the latter’s life in a face-off with the Hittite army. Moses is also ambivalent to the fate of the Hebrews – Israelis – his very own race, toiling away as slaves to build the great pyramids of Egypt. It takes certain revelations for Moses to leave the kingdom for good, and seek out his destiny elsewhere. And then a vision – visitiation from God? Or just inspiration? leads him back to Egypt to free his people and take them to the Promised Land. Exodus – Gods and Kings stands out for the sheer mastery of the build-up of the character of Moses from a general of an empire, to a much older and wiser leader of a people. Perhaps a little marred by the liberal use of some barely believable special effects, the movie is nevertheless an essential watch in a year of movies that, while dull for the most part, seems to be ending off rather nicely

14.5/20

Rising, hopefully

What drew me to Batman Begins and The Dark Knight was their indisputable clarity - the clean fine execution and character sketches in taut plots. And that is precisely where I lost it with The Dark Knight Rises. The sheer clutter of a "decommissioned" Batman, the wiles of a Cat-woman, the inevitable comparisons of Bane (Tom Hardy) to the inimitable Joker (Heath Ledger) in the preceding edition - all of it, for the non-diehard Batman fan, was really a smorgasbord of events and characters that left anything but an indelible impression. What a mishmash to end one of the best series of all time. Expectedly, the movie drew praise from viewers and critics alike - the perils of a cult fan following that is all too willing to live the moment and forgive all

10.5/20

Sleepless Dreams

Trevor Reznik (Christian Bale is a haunted man. Of horrifyingly thin visage, tormented by illusions indistinguishable from reality, he has not slept in a year. He tries to come to terms with the present – but strange visitations, bodies in the freezer that do not exist, chased by cars that belong to him, visits to the coffee shop and the lady there, and her son and which of them is real – it is all difficult to make out what is reality and what are, well, the dreams of The Machinist. This is a role that has absolutely no resemblance to anything that I have seen from Christian Bale, and clearly shows just how great an actor this Hollywood find-of-the-decade is. A cathartic movie, that makes clear that the Machinist did sleep at times, and all the visitations were really about his darkest fears and greatest regrets

14.5/20

Enemies of an Ineffectual State

Public Enemies tests the thespian skills of Johnny Depp and Christian Bale, but hardly to their limits. John Dillinger, hardened Depression-era bank robber pulls off audacious heists right under the noses of the law, and follows up with equally audacious escapes across state lines. The latter prompts the then head of the police forces, J Edgar Hoover, to set up a law enforcement organization that cuts across state lines called – what else – the Federal Bureau of Investigation. The romance with Marion Cotillard arouses a (on hindsight) misplaced twinge of sympathy for a hardened criminal. The movie is about the chase and how John’s world is slowly decimated, not only in the face of concerted legal action, but also on account of the return to prosperity of America that takes away several of his partners in crime. An interesting movie, but could have had a lot more to offer

13/20

The Franchise Stands Salvaged

What clearly stands out in Terminator – Salvation is the liberal usage of the last editions’ unforgettable snippets. From “I’ll be back” to the cryogenic freeze, to the eponymous bike-over-truck reversal, the elements mercifully do not appear out of context though. The one other aspect that stands out is the performance of Marcus Wright (Sam Worthington) who brings out his conflict and clear loyalties through a great performance. The movie is unmemorable in terms of the storyline, and, as may be expected, will lead to one or more sequels, and trails off that way. A movie that clearly keeps the franchise alive and kicking without Schwarzenegger, and with much more conviction than say Rise of the Machines

14.5/20

Banker Jeykll and Hyde

In American Psycho, Christian Bale shows early promise that for some reason went into limbo for half a decade. A close adaptation of the Bret Easton Ellis novel, it shows an investment banker’s continuous struggle with himself to eliminate the demons within that have zero tolerance for failure, lack of refinement, tolerance for the success of others. The ending is one of the most tantalizing I have seen on film – were the ghosts real or of the mind? Unilke say Wall Street or Boiler Room this is not a movie that has anything to do with the world of finance per se. Perhaps the leitmotif is – we all hate various aspects of our lives – do we hate them enough to destroy them at any cost? An intriguing book and movie, as they are gory

The Lesser of 2 Great Movies

Compared to Batman Begins, The Dark Knight has had spellbinding initial commercial and critical acclaim - not least because of the outstanding performances of Christian Bale and Heath Ledger. The script is taut, the action delectable - great to see Hong Kong resplendent!, and the moral agruments for and against a vigilante compelling. The rise of the Joker this time around is not through cheap stunts and barely believable capers, but quite akin to the rise of mafia mob bosses - ruthless, violent and gritty. The soundtrack retains the tension-inducing elements of the previous edition. An unmissable movie, only a fraction short of the previous edition