Walk of Life

Philippe Petit (Joseph Gordon-Levitt) is a wire-walker par excellence, looking for his next big challenge all the while, and inspired by Papa Rudy (Ben Kinsley) in the craft as he is supported by Annie (Charlotte Le Bon) in life. A chance sighting of the Twin Towers of the World Trade Centre coming up in New York introduces Philippe to his life's purpose. Well executed if predictable. The Walk is quite thrilling, not for just the physical act of the walk, but also for the sheer intensity of following one's passion

14/20

Movie to Die For

Dripping with intensity, Sin City 2 – A Dame to Kill for – the latest edition of the noir graphic novel-turned-thriller is perhaps my movie pick for what has unarguably been one dull year for movies. The story somewhat centres around Marv (Mickey Rourke), a character of formidable intensity, the face-off between the young hustler Johnny (Joseph Gordon-Levitt) and the power-hungry Senator Roarke (Powers Boothe), and the machinations of the devious vixen Ava Lord (Eva Green). With animation blending into reality, and oozing with memorable dialogue, the stellar cast and cinematography will hold you in thrall. Suffice to say, watch this movie.

16/20

Don

Neither men nor women quite understand intimacy. While we have suave student Jon Martello (Joseph Gordon-Levitt) preferring the excesses of porn to the drudge of the real thing, for the so-called ideal woman Barbara (Scarlett Johansson), intimacy is about possessiveness and behavioral controls. Finally, it takes an offbeat relationship to bring some semblance of normalcy to Don Jon. Captivating, though difficult to understand the director’s intent on this one

12/20

Rising, hopefully

What drew me to Batman Begins and The Dark Knight was their indisputable clarity - the clean fine execution and character sketches in taut plots. And that is precisely where I lost it with The Dark Knight Rises. The sheer clutter of a "decommissioned" Batman, the wiles of a Cat-woman, the inevitable comparisons of Bane (Tom Hardy) to the inimitable Joker (Heath Ledger) in the preceding edition - all of it, for the non-diehard Batman fan, was really a smorgasbord of events and characters that left anything but an indelible impression. What a mishmash to end one of the best series of all time. Expectedly, the movie drew praise from viewers and critics alike - the perils of a cult fan following that is all too willing to live the moment and forgive all

10.5/20

Birth of a Nation

Lincoln is, quite simply, one of the best movies I have seen in a long time. In Lincoln, Daniel Day Lewis does not play Abraham Lincoln, he is Abraham Lincoln, living, breathing, taking decisions, running a family. The leadership qualities of Lincoln come to the fore as he balances ending a war and abolishing slavery, with a few decisions that err towards choosing the greater good and associated realpolitik. This is a movie for posterity, and one for your collection. Suffice to say that I cannot remember a movie in memory that moved me quite as much, Steven Spielberg dramatic effect notwithstanding

17.5/20

Fixed Gear, Steel Frame, No Brakes

 

 

It is hard to come up with a genuinely interesting and never-a-dull-moment script centered around the all-too-familiar New York, and car chases. So, Director David Koepp changed the game – and speeded up things by making them slower – on bicycle, in fact. Profiling the best-in-class NY bicycle messenger Wilee (Joseph Gordon-Levitt), on a Premium Rush – a high-priority dispatch – with a little help from girlfriend Vanessa (Dania Ramirez) and arch rival Marco (Sean Kennedy), Wilee outruns everything in sight – cars, people, other bicycles, and even stationary objects – as he helps one Chinese student Nima (Jamie Chung) re-unite with her daughter. Get ready for an unexpected rush from this under-rated movie

13/20

Dream Merchants

Leonardo DiCaprio (Cobb) continues his winning streak with Inception – a taut sci-fi thriller about men that construct dreams and through them seek to prise out the secrets of their fellow men. Lured by Saito’s (Ken Watanabe) promise of being re-united with his children, Cobb embarks on a mission fraught with danger – the inception of an idea in Saito’s arch-rival Robert Fischer Jr (Cillian Murphy) – to break up the latter’s business empire. Aided by a core team including architect Ardiane (Ellen Page), Cobb and his team must travel successive levels of dreams to seed the idea – and see the fruition of the same in the real world. However, the memories of Mal (Marion Cotillard), the ex-wife of Cobb, cloud Cobb’s presence and his dream, and imperil the success of the mission. With the slightest hint of the Matrix, and of Shutter Island (the movie trails off in a fashion where the eventual truth is unclear), this is a carefully crafted movie with moments of brilliance, and sterling performances all round. But good enough to be cult?.. as in Matrix/ Dark Knight class? Didnt think so.

14.5/20

Stalking and Entering

Mickey Rourke continues where he left off with The Wrestler, and in the tradition of gracefully ageing Hollywood stars, to deliver quiet menace as a cold blooded murderer in Killshot. Diane Lane and Thomas Jane (the Colsons) are witness to a crime, enter witness protection, and then are hunted down by Armand “The Blackbird” Degas (Mickey Rourke) and the hare-brained violence-prone character of Richie Nix (Joseph Gordon-Levitt). The performances are hard, the pace engaging, the outcome uncertain till the last minute. This is the return of the unadulterated thriller. Best watched in a movie hall, though. What next from Mickey Rourke I wonder? Or from John Madden (the class that brought you Captain Corelli’s Mandolin and Proof clearly shining through)

14.5/20