Honor among Wolves

The ruthless salesmen of Morgan Brothers, led by Baker (Colin Egglesfield), have a newbie in their midst – Daniel Seaver (Brian Greenberg), an ex military man, a self-confessed introvert, and an incongruous reader of Dickens and Tolstoy in the world of cut-throat investment banking. But, in a world where “everybody has an angle”, it is not easy to figure out who, if anyone, is The Good Guy. While Baker’s latest girlfriend Beth (Alexis Biedel) clearly has a growing fondness for Daniel, there is much more to the lives of some of the protagonists than meets the eye. A reasonably exciting drama, which I particularly liked because of the fairly accurate descriptions of investment bankers, and their psyche

12.5/20

Norse Gods – An Approachable Bunch

Scientist Jane Foster (Natalie Portman), assistant Darcy (Kat Dennings) and mentor Erik Selvig (Stellan Skarsgard) are confronted with a strange weather phenomenon – an unexpectedly intense storm - and crash their vehicle into a man in its midst. The man turns out to be the god Thor (Chris Hemsworth) – banished from Asgard by father Odin (Anthony Hopkins) on account of needlessly waging war upon the Frost Giants of Jotunheim. Thor needs to confront his scheming brother Loki (Tom Hiddleston), get back to his ailing father and end his banishment, and deal with his growing fondness for Jane. While the movie begins with much promise, it concludes squarely as light entertainment. The casual banter of Thor and the gods with humans, and the easy transformation of Thor from arrogance to an empathetic self, are but a few pointers to the fact that this movie will be one of the really light interpretations of the Norse Gods and totally in line with the Marvel Comics character. Worth noting in passing that even the Gods seem to fall in love with Natalie Portman these days

11.5/20

Birds Beasts and Beastly People

The eponymous Rio plays out the story of Blu (Jesse Eisenberg) and Jewel (Anne Hathaway), two Spix’s Macaws, the former a pampered pet from Minnesota, the latter a wild bird kept in captivity, in the city of the same name. The two are the last of their species and have been brought together to (hopefully) mate. Stolen by smugglers, the duo manage to escape into the rainforest, but are constantly constrained by the fact that Blu cannot fly, and also that the two are chained to each other. With the help of Rafael (George Lopez), the two birds get to Luiz (Tracy Morgan), but danger is not far behind, and the owners Linda and Tulio are also hot on the trail in their search for the missing birds. A riot of colour – an outstanding visual spectacle, and an entertaining children’s adventure. In the inevitable comparison, Rio does not capture the wry humour of Rango, but nor does it seek to – it is intended for a simpler audience, child or adult

13/20

True Colours

Pet chameleon Rango falls off his owner’s vehicle in the middle of the desert, and finds his thespian skills – well, all skills – tested to the hilt in the obscure desert town of Dirt. A series of serendipitous circumstances make the denizens of Dirt believe that they have a hero in Rango, who will solve their water problem and save the town. However, while Rango’s first few lucky exploits reinforce his reputation, luck soon runs out and he has to find his true calling – aided by the Spirit of the West – a Man with No Name (a spoof on Clint Eastwood and the likes and a moment of much hilarity among many in the movie), Rango returns to much distrust. But will Rango help provide not just water, but unravel the machinations of the unscrupulous as well? An all-star cast (albeit only in voice-over), hilarious characters (with the piece de resistance being the out-of-the-world hombre owl band - see above pix), laugh-a-minute jokes, and some serious storytelling included – this one is quite the exceptional animation movie. Too bad it is trailing Rio in the 2011 summer animation release sweepstakes

14.5/20

The Beast Cometh

Longtime train engineer Frank Barnes (Denzel Washington) is training newly recruited conductor Will Colson (Chris Pine) in the town of Fuller in northern Philadelphia. In the meantime, a combination of carelessness and unforeseen circumstance puts one freight train # 777 on a collision course with several others. A few other facts come to light as the situation unravels – the runaway train has no air brakes on, it is on full power, and – hold your breath – it has four containers of molten phenol – a highly inflammable and toxic substance that could decimate one of the many towns on its way. Will the Unstoppable train finally yield to the elaborate attempts to get marines on board to cut the power, or some old-school thinking and brave execution by the protagonists? Veers on edge-of-the-seat, appears technically sound without too much artistic license, and opens up the train-related adventure genre after a long spell of myriad Hollywood vehicular misadventures

13.5/20

Morning Crusade




Morning TV is kitschy, perk-you-up content that is not to the liking of much decorated veteran-of-many-Pulitzers-and-warzones journalist Mike Pomeroy (Harrison Ford) – once a star, the IBS (channel) veteran now likes to keep his talent and his thoughts mostly to himself. So, in the tussle between Mike and Becky Fuller (Rachel McAdams), the latter being the rookie IBS producer of morning show Daybreak trying to find her footing with a disillusioned team and a bottom-of-the-barrel show to manage, the expected outcome is somewhat foregone. Er.. not quite. Never underestimate the power of positive energy, which Becky carries to a superhuman degree, in rousing up the workplace and soporific old-timers. No wonder Becky rises to Morning Glory in her morning show fraternity, but will she eschew great offers for her new-found family? A charming and uplifting tale, albeit a slightly tall one.

12/20

Darjeeling?? Never mind.

This is not a 2010/ 2011 movie, but thought I would put in a little note in any case. A train that looks suspiciously like the Palace on Wheels, and travels entirely through scrubland and desert, incongruously named The Darjeeling Limited, is the focal point of the movie by the same name. The train is the meeting point of brothers Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzmann). With misunderstandings of the past, including events related to their estranged and semi-ascetic mother, and their father’s funeral, on their minds, the trio spend a few days on the Indian subcontinent, in seeking bonding and certain inner realizations available in the Indian Subcontinent to occidentals. One can watch it as an apt precursor to Slumdog Millionaire, a movie made with equally amazingly miniscule empathy with India (with due leeway for the fact that the movie in question is principally intended to be a comedy), but one that nevertheless strikes a chord with an audience that is equally ignorant

7.5/10

No Way Out

Is there a way out of a lifetime of crime? Not in Charlestown, Boston, it appears. DougMacRay (Ben Affleck), longtime crook, leads a successful heist on a local bank, and then another, in The Town. But, life gets complicated as Doug gets romantically involved with one former heist hostage - bank manager Claire Keesey (Rebecca Hall). An uncertain relationship with an imprisoned father who never quite reveals the truth about why his mother left, and then the ghost of old relationships with people with whom he would rather not associate with any longer, further complicate Doug’s existence. In the meantime, the FBI have their quarry, but continually want for evidence. Unremarkable fare albeit well-executed, with fairly standard treatment of the subject matter

12/20

The King Speaks

The King’s Speech is a much-reviewed and much-awarded movie, and the toast of the awards season just past. A discussion as to whether it is deserving of such sweeping accolades is somewhat academic. What offsets the rather narrow subject matter is two aspects of the movie that make it absolutely memorable. The first is Colin Firth (King George VI) playing a King-elect and then a King with a stammering disability, his battle against it, and the tribulations and setbacks along the way. The second is the remarkable relationship between the King and his speech instructor Lionel Logue (Geoffrey Rush) – born out of necessity and occasionally showing the consequences of a large class divide, with the (inevitable?) results and conviction eventually following. Forget the awards, it is these two reasons alone that make this movie eminently watchable. As to whether the movie is broad enough in scope to be a Best Picture Academy Award winner? Why does it matter anyway – you can watch Black Swan and The Fighter as well!

14.5/20

Dead Genre

Mary Shaw breathed life and unspeakable horror into inanimate ventriloquist's dolls. Dead Silence seeks, with the help of the long-dead Mary Shaw and her dolls of small-town Ravens fair, to breathe life into the near-dead horror genre. When wife Ella Ashen (Amber Valetta) is brutally murdered, husband Jamie Ashen (Ryan Kwanten) embarks on a fact-finding mission that delves into local lore, and is punctuated by much copybook horror sequences at motels, graveyards (!), and abandoned theatres. What could set this movie a bare notch above the mindless horror flick, is a few reasonably unexpected twists in the tale. A recommended movie only for those hellbent on picking on the last vestiges of an idea-starved genre

11.5/20

Such a Long Journey!

At long last, an adventure movie to crow about, in the copybook inspirational adventure genre. How far would you walk to escape the dreaded Siberian Gulag? To India?! In 1941, Polish prisoner of war Janusz (Jim Sturgess), hardened resident criminal Valka (Colin Farell), American actor Mr Smith (Ed Harris), and three other Gulag inmates – Voss (Gustaf Skarsgård), Tomasz (Alexandru Potocean), and Kazik (Sebastian Urzendowsky) – escape imprisonment in a labour camp in the Siberian Gulag, in The Way Back. The first step in a great southward journey is to reach Lake Baikal – a journey of months and hundreds of kilometers. On the verge of death by starvation and exposure, most of the escapees manage to reach the lake, where they are joined by Irena (Saoirse Ronan). Irene has a questionable alibi, but brings much needed morale to the team with her effervescent personality. In an unbelievable trek across snow, the plains, the desert and again the snow, will any of this unlikely band survive? The movie is based on a novel by Slawomir Rawicz, a Polish POW in the Siberian Gulag, and has the twin challenges of making an excruciating ordeal believable to an audience, as well as depicting emotional connect between a diverse group of individuals bound by the same challenge. It succeeds commendably on the former count, but falters somewhat in the latter – in the end, creating a striking end-product nevertheless, that is at the very least inspiring. Director Peter Weir (The Truman Show, Master and Commander, Dead Poets Society) does not do any injustice to his specialization of depicting the inspirational, across multiple settings

15.5/20

Gambling the Nation

Welcome to the workday of super-lobbyist Jack Abramoff (Kevin Spacey) – that starts with explaining to himself – in the mirror as part of the morning ablutions – as to just why he is the hardnosed gut that he is, in Casino Jack. As a super-lobbyist Jack was willing to walk the fine line between justifiable promotion of others’ quasi-legitimate interest, and serving himself and his ego – and was to be found very often on the wrong side of it. Questionable advocacy of US offshoring circumventing minimum wage laws, and mispricing deals with American Indians for lobbying for the latter’s gambling rights on grounds of highly dubious benefits, were but some of Jack’s transgressions. The act comes to a halt in late 2004, and in 2006 Jack pleads guilty and the law takes over. While arguably not the best-made of movies, this one will strike a resonance with the anti-corruption crusade that seems to have taken over as our current national obsession at the time of writing, as an effective example of justice served even in the case of powerful defendants 13/20

Punched Down

If I interpret Sucker Punch as the generally mindless action entertainment genre, full of innuendo and game-like action sequences, the movie is a pretty solid achievement. On the other hand, if the movie was meant to be an insight into the overly imaginative workings of a girl’s mind, who is the victim of just about all the abuse and mis-accusations that a human can bear, this movie makes a mockery of Baby Doll’s (Emily Browning’s) condition. So, staying on middle ground, if the movie is simply an uncomplicated meshing of erotic action genre meets loosely scripted morality tale, this movie is a reasonably entertaining watch. Babydoll is institutionalized by her stepfather, in a mental institution. While in real life she mesmerizes audiences with a particularly erotic dance routine, behind the scenes she and a small band of fellow inmates plot an escape. Every stage of the execution of the plan is depicted as a clichéd action sequence played out in Babydoll’s overly active imagination. Zack Snyder unfortunately does not quite pull off this one into 300 and Watchmen-class exceptional category 12/20

Song and Dance

The appeal of the Great Indian Wedding to.. well.. Indians is obvious. What is unexpected is finding a different angle into a hackneyed topic. Enter the new age wedding planner – a class of noveau entrepreneur that aspires to take their businesses from the couple-of-lakhs weddings to the multicrore palatial affairs that are the fodder for the Page 3 mill. In Band Baaja Baraat, Bittoo (Ranveer Singh) falls for Shruti (Anoushka Sharma) and the two start off a wedding planning venture. While success comes rather quickly, given a pretty potent blend of charisma, hard work and organizational skills, the personal soon starts getting in the way of the professional, and it remains to be seen if the dynamic duo can find some middle ground and get back on track for professional success. Smartly executed, and with a fresh and bubbly lead pair, watch this one for why the latter have become the talk of the town

12/20

Cat out of the Bag

Mendacity. Politely, lies and then damned lies. Brick Pollitt, favored heir of the Pollitt empire, lies to himself about why he is an alcoholic, and why he resists the affections of his beautiful wife Maggie (Elizabeth Taylor). Big Daddy Pollitt (Burl Ives) lies to himself about loving the family, as opposed to, well, owning them. And other son and daughter-in law Gooper and Mae (Jack Carson and Madeline Sherwood) are the very picture of pretentiousness as they make their rather obvious moves for the Pollitt empire. Cat on A Hot Tin Roof is set on Big Daddy’s 65th birthday, and, unknown to him but to the knowledge of his family – his impending demise. One by one, through intense bursts of dialogue, all the truth comes tumbling out of the closet. Brick’s self-loathing and guilt on account of blaming himself for the death of a friend, is revealed only through the dialogue with Big Daddy. In the meantime, the relationship between Brick and Maggie move towards the mend, even as the brother and his wife’s true intentions are glaringly revealed. The emoting is generations from what modern audiences would expect, but the story in no way appears theatrical - it is a fairly believable account of what can befall a family if each member is clouded by his or her own self-seeking goals. And Maggie pulls off an understated and brilliant performance as one who has her heart, her past and her little white prevarications all in the right place

14/20

Freeze this

Let me tell you about a movie, newly released, called Frozen, wherein three young adults get stuck in a ski lift in the bitter cold. A series of improbable circumstances mean that their predicament is not known, and they are likely to be frozen stiff over the next week or so. After much conjecture the truth hits them that they are not about to be rescued. Braving the height (of the ski lift from the ground) and looking for rescue, the most intrepid of the trio jumps – and breaks both his legs. He meets a gruesome fate (thanks to the natural predators that abound ski slopes), and is not the only one to end thus. In the end, the only survivor is rescued, and will possibly never end up on a ski slope again. Nor me, with this movie. And yes, I do get the message about being duty-bound to be scared of ski lifts and black swan events on my next ski trip

9/20

Spectacular.

I watch hundreds of movies a year. Most rate a bit above 10, simply because all the movies pass through some degree of pre-selection. A rare movie makes it past 15. Only occasionally there comes a movie that reminds us of all that is great about movies per se – so brilliant is the theme, so perfect the execution, and so absorbed and perfect the key characters in their roles. It is in this vein that I shall desist from a lengthy review of Black Swan. It is Nina Sayers’ (Natalie Portman’s) role of a lifetime, but only because she has the canvas for the same in this surreal movie. So, a brief. Nina is the quintessential White Swan in “Swan Lake” her New York ballet troupe, but can she make a Black Swan too? Enter Lily (Mila Kunis), the natural Black Swan – a night of debauchery and hallucinations ensues – and Nina finds herself teetering at the edge of being the Swan Queen. Further hallucinations and a magnificent and tragic performance round off this spectacle. Like many great movies, this one is hard to put into words. Darren Aronofsky uses elements of melodrama, split personalities, and incredibly difficult character portraits to put together this once-in-a-lifetime movie

18/20

Test of Nerves

It is the ultimate test for the ultimate contestants. All eight of them, packed into a room with pencil and paper, and not knowing what the test could possibly be. Exam is not so much about decoding what the content of a particular evaluation process is, as it is about personalities. It is a test of how different people react to a specific circumstance – quiet resignation, logical thinking, violence, anger – and how such a process can be used to select winners from losers. For a movie that is shot in a single room and has an ever-decreasing cast of characters, this one comes through rather nicely

14/20

Spit on it

Why do I even bother reviewing such movies?! I Spit on Your Grave is a 2010 remake of a 1978 movie – suffice to say that the latter ranks in the Top 10 Ridiculously Violent Movies by Time Magazine. Jennifer Hills (Sarah Butler) finds herself a quiet corner in the woods to finish writing her book. Her paths cross with a bunch of depraved locals including a crooked sheriff, and what follows can only be described as gorno – graphic rape followed by graphic revenge. It would perhaps be for the best if such movies were banned – the kind of taste that this kind of movie implies cannot possibly be healthy

7.5/20

A Case of old wine..

Someone please step out there and re-invent the horror movie genre. Case 39 is a case in point that totally lacks any new inspiration. Social worker Emily Jenkins (Renée Zellweger) takes a personal interest in Lillith Sullivan (Jodie Ferland), and the interest turns into alarmed near-adoption as Emily finds that Lillith’s parents were actually trying to kill her. Living under the same roof has unexpected (?) consequences however – a number of people close to Emily start dying, and the linkages to Lilith become irrefutable. And then the attempts to destroy the evil presence follow. Once you have the Omen meets Exorcist feeling about halfway through the movie, you will rapidly lose interest and wonder whether there is anything unexpected around the corner – there isn’t

10/20

After the Flood

Among the various better-documented paranormal phenomena would be near-death experiences, and the subsequent connectivity that people with such experiences supposedly have with the dead. At the heart of Hereafter there are just three characters (and I don’t mean director Clint Eastwood, producer Steven Spielberg and writer Peter Morgan). Marie Lelay (Cecile de France) almost dies as the tsunami hits Thailand – and the subsequent changes in her have profound consequences upon her work and relationships, as she embarks to write a book about her experience. George Lonegan (Matt Damon) is a San Francisco based reluctant psychic, a man running away from his gift and the psychological consequences of communicating with the dead, even as he is not quite stably employed. Marcus (Frankie McLaren and George McLaren) cannot cope with the death of brother Jason and looks for ways and means to communicate. The paths of all three cross unexpectedly in London – with the hope of positive outcomes all round. Well-executed like all Clint Eastwood fare, sensitive and touching in parts, and a good watch all round, though never crossing into exceptional territory as Eastwood has done so often

13.5/20

Better than a Life of Despair..

Deadbeat professor John Brennan (Russell Crowe) steps out for dinner with wife Lara (Elizabeth Banks), where the latter has a face-off with her boss. The next thing he knows – the boss is found murdered, and all the evidence points to his wife. Facing life imprisonment with stoic acceptance, Lara has not reckoned with the resourcefulness of her husband. After failing with lawyers and the right side of the law, John obsesses with getting Lara out of prison – and the country – by any means possible. The next few months are a blur of delirious effort, the horror of near-misses coupled with near-penury, and finally - when something is required by The Next Three Days, a breakthrough. But breaking out of prison is one matter – will the couple be able to re-unite with their child and find their way out of the United States? The extraordinary movie slows towards the middle to let the viewer soak in the consequences upon a family of justice denied, and then switches to a dramatic conclusion. Paul Haggis of Crash, Million Dollar Baby and Casino Royale fame pulls off an extraordinary movie –the extent of improbability of the escape cannot be better captured than by the quote from Don Quixote used in the movie – “'If we choose to exist in our own reality, are we insane? And if we are, isn't that better than a life of despair?'”. And Russell Crowe on his part shows all of the quiet resolve that made the likes of Cinderella Man and A Beautiful Mind such extraordinary movies

16.5/20

The Siege of LA

Yes, (at the time of writing), it’s in the multiplex and yes you will not go wrong on this one! So this is another alien invasion, and the aliens have taken over Los Angeles. Battle Los Angeles swings between Skyline-style terrifying, to Independence Day style melodrama, and lots of action in between. Where the movie does not go wrong are the Black Hawk Down-meets The Hurt Locker style urban battle sequences. With Ssgt. Michael Nantz (Aaron Eckhart) well-supported by his multi-ethnic company including the spunky action heroine Elena Santos (Michelle Rodriguez), this movie will keep you occupied with excellent action cuts interspersed by reasonably convincing stock-taking on the futility of it all, and other similar clichés

13.5/20

Monsters (?)

No matter how hackneyed the theme, an effort at an authentic rendition of a situation, and the people affected by the situation, has an appeal all of its own. First, the context. A probe to detect extraterrestrial life crashes over Mexico. Six years later, the whole of northern Mexico is a dangerous quarantine zone, infested by Monsters, with barbed wire fencing to the south and The Wall protecting the United States to the North. It is against this backdrop that cynical journalist Scoot McNairy (Andrew Kaulder) is given the task of escorting beautiful American tourist Samantha Wynden (Whitney Able) to the safety of the USA. A plan to take the ferry to the States goes all wrong, and the trip across the Infected Zone has unexpected consequences for the duo, and their perception of the persecuted monsters. The distinguishing feature of the movie is the effort at authentic scenes of Mexican life affected by the infestation – a cart carrying off a jet engine, monsters in graffiti and children’s drawings, children wearing gas masks as a way of life. Touching in parts, and engaging in full, this is not your average alien-buster Hollywood flick

13.5/20

Heist with Twists

Generous brushstrokes of noir and well-chosen sepia tinted scenes and soft lighting are an unexpected canvas for The Hessen Conspiracy, a World War II whodunit. Jack Durant(Billy Zane) and Lt. Kathleen Nash (Lyne Renee) fall for each other, and for the crown jewels of Princess Sophie of Germany. While the extrication of these jewels to the United States is rather cleanly orchestrated, how does the couple get legitimacy over the jewels and get the wartime police off their backs? And are they truly with one another, or is it that they are looking to double cross each other? The movie manages to generate a surprising degree of suspense even as it maintains its retro feel.

13/20

The (Hopefully) Last Airbender

The irrepressible M Night Shyamalan will not be kept from bringing fables to the big screen, that somehow do not seem to click, as far as all recent attempts have gone. Aang (Noah Ringer) of the Air people, is The Last Airbender, preserved for a hundred years in ice even as his people have been decimated by the Fire People. It takes two intrepid Water People – Katara (Nicola Peltz) and Sokka (Jackson Rathbone) to discover Aang from under the ice, and then embark on a journey to unite the peoples, and in particular manage the military onslaught from the martial Fire People. Where the movie seems to have failed is execution. A cast that does not click as far as pretty much any and every role is concerned. Hideous acting with uninspiring central characters that chokes off any upside potential from the above-average special effects. While the Director has made no secret of seeking sequels herein, it remains to be seen whether, with this combination of cast and crew, the audience is likely to bite

10/20

Scott’s Noisy Adventures

For a movie that is somewhat hard to describe – I shall keep my review of this one brief. Scott Pilgrim vs. the World is the movie adaptation of a graphic novel, and a popular game as well. Scott Pilgrim (Michael Cera) is a reasonably average Toronto dude, whose claim to fame is being bass guitarist for the band Sex bom-omb (!) and whose concurrent claim to infamy is dating Chinese high-school student Knives Chau. The romance gets interrupted by the entry of one Ramona Flowers (Mary Elizabeth Winstead), with whom Scott falls head-over-heels in love. Not so fast – Ramona has seven evil exes (ex-dates) in her life – and through a series of adventures, some verging on the sensible but others downright garish, but all superhuman, Scott takes on Indian dudes, vegan obsessives, popular movie stars, two Japanese brothers – and a woman – in his bid to win over Ramona. The final challenge however proves the most daunting – do all the elements of Scott’s life – the elusive record deal, the prospective girlfriend and the spurned one – come together? Watch this one for the “game” experience – but as far as graphic novel adaptations go, I found this movie a sensory overload rather than thought-provoking or nuanced
11.5/20

D’uh Border

“Stone Cold” Steve Austin hits the movies again as Jim Rhodes, an US Border Patrol Agent who keeps watch over a point proximate to the Canadian border, and one daughter Kim (Marie Avgeropoulos) who does not think too much of him, in Hunt to Kill. An unrelated heist gone wrong in a different city has the quintessential posse of villains enter Jim and Kim’s life, and take them hostage in their quest for a way across the border. Much violence (surprised?) and general cleaning-up of the riffraff expectedly ensue. Clearly not a movie to step into with exalted expectations, and nothing unexpectedly exalted to take away either . Notably, the movie re-unites Steve Austin, Gary Daniels and Eric Roberts for the first time since The Expendables

10/20

Another End of the World

Skyline is freakier than reviews have generally given it credit for. An idyllic LA party setting reminiscent of Cloverfield is suddenly turned into the hotspot for an alien attack. Elaine (Scottie Thompson) and Jarrod (Eric Balfour) have flown in to LA for friend Terry's (Donald Faison) birthday party. The night of the party, a strange alien attack – lights that draw people like moths to a flame – and then absorb them whole in spaceships – decimates the group. An attempt to escape to the boats proves futile – the group endeavors to survive in the building but does not last long. Well, almost all. The movie has a District 9 – style ending with Jarrod (or more accurately Jarrod’s brain) still retaining “human” characteristics – in particular, his protective instincts for Elaine. The movie borrows liberally – too liberally – from anything and everything from War of the Worlds (probes drawing in humans) to Independence Day (multiple-city alien landings, aerial attacks including survival of a nuclear attack) to The Matrix (intelligent probes searching for humans) – but in the end the Strause Brothers do manage to leave a sense of near-unmitigated hopelessness that is all its own

11.5/20

Dream Merchants

Welcome to the hard-driving sales culture the way only Americana can! Steve and Kate Jones (David Duchovny and Demi Moore), and children Jenn and Mick (Amber Heard and Ben Hollingsworth) form a family “unit” – the Jone$es – planted in an upmarket suburban neighborhood by their employer, a marketing company – to peddle the wares of the latter’s clients through their lifestyle. Out come the trendy furniture and designer clothes, and perfumes and cereal and golf clubs – and the sales keep rolling. But beneath all this is the undercurrent of the unit continuously questioning their vacuous existence, and the possibilities of the unit actually behaving like an actual family – spurred by the strains of a growing attachment between “husband” and “wife”. The sales culture has its casualties on both sides, and in the end, something in the cold culture does give. An entertaining if marginally over-the-top look at ways and means to create demand where none existed, and simultaneously questioning the ethics of it all

13/20

The Overseas Proposal

Anna Brady (Amy Adams) “stages apartments” in Boston – a career typical of a hard-driven city – that consists of decking up apartments that appeal to potential buyers’ fantasies, and then taking away the frills on the eve of a purchase. The ubiquitous boyfriend Jeremy (Adam Scott) is a cardiologist, who has been deferring the “M” plan for – 4 years and counting. Up comes a business trip to Ireland, and, drawn to a tradition of proposals on February 29th (only possible in a Leap Year) that apparently never get spurned, Anna lands up in Ireland. Ireland, not Dublin, because inclement weather and a series of mishaps to follow land her in faraway Dingle, two days’ journey from Dublin, that need to be necessarily traversed with a rickety car and one Declan (Matthew Goode) for company. The countryside is breathtaking, the unfortunate delays come thick and fast, and the stranger and his country grow on Anna. So how does it all end, then? Set against the backdrop of a country that is, refreshingly, not sepia-tinted-beautiful but rugged-beautiful, watch this movie if only to get an up close look at Hibernia, and have a comely romance playing along to boot

13.5/20

INTRODUCING RITU

MY CO AUTHOR...

ON TO HER FIRST POST...

Species #2

Elsa (Sarah Polley) and Clive (Adrien Brody) are two brilliant genetic engineers who have created a mutant animal – product of a Splice between the DNA of two animals. Rather than being sequestered into mundane research and protein extraction from the said animal, as is the diktat of their firm, the two scientists – who are also in a relationship – go for the kill – trying to generate the product of spliced human DNA. They succeed, but the product – which carries Elsa’s DNA – is not quite what they had envisaged. Dren (Delphine Chaneac) – the product - is a highly intelligent semi-human creature, that is amphibious and carries a toxic sting. Dren evokes maternal love from Elsa, and, given her genetic antecedents, a very different kind of love from Clive, even as the two scientists struggle to conceal the results of their experiment from their company and the world at large. Eventually Dren metamorphoses into something else altogether – and the same has tragic consequences for the couple, but is an extremely profitable outcome for their company. Yet another horror story of mutation gone wrong, and not a particularly well-made story, at that

12/20

Until Lambs become Lions

The latest edition of Robin Hood is about how Robin Hood, the outlaw, came to be. Robin Longstride (Russell Crowe), later Robin Hood, fought alongside King Richard the Lionheart (Danny Huston) in the Crusades. When King Richard dies in battle, Robin and a small band of fellow-soldiers end up in custody of the royal crown, and Robin, in the guise of Sir Robert Loxley of Nottingham, a knight killed in the same battle, maes the journey to Nottingham. Robin soon brings back life to the hamlet and wins the affections of Robert’s widowed wife Marion Loxley (Cate Blanchett). The peace is not to last, however – renegade English knight Godfrey (Mark Strong) is planning a French invasion of England even as he pillages English towns in succession for the collection of taxes for the royal coffers. The paths of Robin and Godfrey cross, with tragic consequences for Godfrey and his nefarious plans. But, the subsequent adulation of Robin Longstride, and his views on empowerment of the people of England, are taken none too kindly by newly crowned Prince John (Oscar Isaac). This is an under-rated movie, the reception of which was marred by expectations from the Robin Hood mush camp.

15.5/20

Eventful Marriage

Undercover agent Spencer Aimes (Ashton Kutcher) falls in love with a recently out-of-a-relationship Jen Kornfeldt (Katherine Heigl) who’s holidaying in Nice with her parents. Three years on, and to the blissful unawareness of Jen about her husband’s past, it takes a sudden attempt on Spencer’s life by what seemed to be a neighbor, to bring home the truth – Sepncer’s old organization wants him out. And dovetailing into this script is the family life of Spencer and Jen – with a baby on the way and a trust-no-one policy in respect of what they thought to be neighbors being potential Killers, the couple has an amusing whirlwind time and finally find peace with family – well, almost. An unusually good comedy that actually holds together quite nicely, and definitely recommended among the recent movies in its genre

12/20

Oh, Politics!

Adapted from the British comedy TV series The Thick of It, In the Loop features the UK Minister for International Development Simon Foster (Tom Hollander) making successive faux-pas in public office – first noting that war in Iraq is “unforseeable” (not quite the official line, for which he is duly berated), and then blurting out to journalists that he may need to “climb the mountain of conflict”. Out comes a summons to Washington, and Simon Foster soon becomes roadkill in a political game where the endgame was to take the countries – UK and USA - to war. When you are done with likes of The Green Zone and Body of Lies, watch this movie for a hilarious take on how UK (ostensibly) managed to bungle its way into the Iraq conflict. Exceptionally entertaining, as only the circus of politics can be

14/20

Bringing Kung Fu to Beijing

Within the genre of sports movies, no sports seem to be more evocative than football, and martial arts. While the former is about relentless pursuit of personal excellence coupled with teamwork, the latter is about technical brilliance honed to a startling degree at an individual level. When Dre Parker (Jaden Smith) makes his way to Beiging with single mom Sherry, leaving behind the wasteland of Detroit’s auto industry, he has to contend with physical aggression and hostility from his peer group. Enter Mr Han (Jackie Chan), the repairman with a history and no ordinary skills in kung fu. With training that encompasses chi, the art of learning through repetition, and a healthy dose on Chinese culture and values, The Karate Kid (2010) shows how a physically weak American kid uses kung fu (and not karate, which really is a serious turn-off) to find his way in his new world. Strictly a family entertainer, with action to entertain and truisms to ponder over

12/20

This Series Hereby Sleeps

Wall Street – Money Never Sleeps – has the tough task of measuring up to its legendary predecessor that was anchored by two extremely strong leads – Charlie Sheen (featured in the current movie in a cameo is a shockingly aged incarnation) and Michael Douglas (not quite his former self in this edition, as an out-of-prison Gordon Gekko). Lead Jake Moore (Shia LaBeouf) is a level-headed investment banker, with a reasonably modest existence (by IB standards of course) and a penchant for the ethical and for clean technology. Jake works through the meltdown and the collateral damage of looking to marry Gordon Gekko’s daughter – is Gekko now a changed man or the same marauder that he was in the 80’s? With strong overtones of the fall of Bear Stearns and the continued survival of the likes of Charles Schwab, this movie is a bit of a mishmash between high street finance parleys, and good old family values. Generally entertaining without being edge-of-the-seat, and marred by shoddy cinematography and editing in some degree, this is an entertaining movie but cannot hold even the merest hint of a candle to the original

11.5/20

To Err (repeatedly) is Human

Newly out of work Travis (Adrien Brody) finds himself volunteering for a paid experiment, with the promise of $ 1000/ day of compensation, for a period of 14 days. The study – to play the role of one of the prisoners as part of an experiment, wherein other volunteers, notably Barris (Forest Whittaker) act as the guards. In an experiment where the only restrictions on prisoners include never speaking to guards unless spoken to, and finishing all of their food, simple transgressions take an ugly turn as the prisoners led by Travis grapple with one diabetic in their midst, the uncertain food, et al, while the guards led by Barris take increasingly violent and regressive steps to address what they see as a growing challenge to their authority. In an experiment that would ostensibly terminate on the first hint of violence, much blood is shed before the same comes to an abrupt halt, and the movie trails off with a call to justice. With overtones of America’s reality of Guantanomo Bay, and movies such as Blindness, The Experiment shows just how degenerate a regular group of humans can become in a setting that has the slightest hint of an imbalance of power. A good movie that makes for some really heavy viewing

13.5/20

Please Go Away

There are movies that seem stuck in a time-warp – no matter how much times change, there does not seem to be any respite for the audience from the tearjerker content. When Kajol, Kareena, and Arjun Rampal start exploring the touchy topic of a broken family and new relationships, and the effects of the same on children, with the further angle of all of the said people being Indian diaspora, We Are Family seems to be a movie with a lot of promise. When Kajol gets detected with cancer, and the audience gets treated to a tsunami of melodrama, you are left with your head reeling from the senselessness of the portrayal and the sheer torment of the audience experience. This is a movie that takes on a topic of note, then goes out there and shoots itself. ‘nuff said

6.5/20

A Bit Incendiary, a Lot of fizz

Like the giant explosions in the second half of the movie, there are moments in Dabangg that are – well – explosive firsts in Hindi cinema in the action genre. What is not quite as catchy is the storyline, which gets caught in an uncertain zone between being the oh-so-familiar Bollywood melodrama, and being a loose vehicle for some over-the-top action sequences. With one-man action capers reminiscent of the likes of Desperado and Shoot ‘em Up, and liberal doses of inspiration from several other Hollywood flicks, this movie is on the one hand quite enough to be a popular hit, but could have gone much further in the over-the-top action genre. And then there is the issue of the never-ending careers of our Bollywood stars and whether it would have been really difficult to find a better lead than Salman Khan. In any case, watch this movie for the action, but you will not miss much if you snooze off whatever’s in between

10/20