Showing posts with label Jackie Earle Haley. Show all posts
Showing posts with label Jackie Earle Haley. Show all posts

Sunday, March 30, 2014

Robotic



I like the intent behind this version of Robocop – the story of a near-dead-in-action police officer Alex Murphy (Joel Kinnaman), a family man – and the objectives of the megalithic Omnicorp to monetize him – turn him into an emotionless law enforcement officer - literally drowning emotions with dopamine in the process. But it does not come through in any meaningful degree. While wife Clara (Abbie Cornish) plays the wronged housewife in a totally uncharacteristic role, it is Dr. Norton (Gary Oldman) and his moral pangs that possibly lend some semblance of thespian consistency in a movie that does not leave much of a mark on the viewer

12/20

Saturday, May 19, 2012

Heinous



Governess Victoria Winters (Bella Heathcote) arrives in Collinsport, Maine, to attend to the anything-but-usual Collins family – particularly David (Gulliver McGrath) the disturbed young ‘un in the family. The Collins family has a long and illustrious history in Maine – that has been systemically driven to ruins. Enter Barnabas Collins (Johnny Depp) – long deceased and vampire-at-large. Even as he apologetically quenches his thirst for blood by taking out construction workers, hippies, and unscrupulous resident doctors, the efforts at defeating the enterprise of arch-rival Angelique Bouchard (Eva Green) look like they will come to naught – not least because of the ties that bind Barnabas  and Angelique. So even as Barnabas dalliances between Angelique and Victoria, the new-found strength in the Collins business looks like its demise shall be as meteoric as its resurgence. Or, is it that Josette (Josephine Butler), mother of David and resident ghost of the family, can bring her not inconsiderable supernatural powers to bear? Dark Shadows is an awful movie, does discredit to the likes of Johnny Depp and Eva Green as actors, and one that you definitely do not look forward to viewing

9/20

Sunday, March 29, 2009

The Long Watch
To do justice to a critically acclaimed movie like Watchmen one should have done one’s homework – i.e. have read the cult 12 part graphic novel series. Perhaps that in itself explains the movie’s principal failure. Throught the movie, the viewer does not for a moment doubt that he is watching a remarkable visual spectacle and possibly the most intricate character portraits of superheroes since The Dark Knight. The additional challenge being that unlike The Dark Knight and its likes, Watchmen profiles several different characters at a difficult time for America, juxtaposing their individual moral ambiguities against the tribulations facing a nation. The failing is the attempt to try to condense a 12-part series into a single movie. It is a surfeit of emotions and animation, and the viewer would find it difficult to absorb any train of thought before the movie moves on. This is not a movie to be watched over a 2 hour popcorn munching session. This is incursion into serious moral territory and at the least one should have read the related novels and braced oneself for a 3 hour
10/20

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