Missing Person

A harried and heavily pregnant Vidya Bagchi (Vidya Balan) arrives in Kolkata on the eve of the Pujas, and around the second anniversary of an attack on the Kolkata Metro. The mission – to find Arnab Bagchi – a husband who has gone missing since arriving in Kolkata on an assignment. The search for the techie husband proves pretty elusive – neither the National Data Centre, nor the police, seem to be able to unearth any meaningful leads. Vidya keeps at her mission – with the help of one police officer Satyaki (Parambrata Chatterjee) – in Kahaani - a movie that is mildly memorable for two reasons. Firstly, the movie shows more vignettes of Kolkata life than any Hindi movie that I can remember for quite a while. Second, true to the thriller genre, nothing in the movie is quite what it seems and the movie succeeds at the genuine element of surprise

13.5/20

An Unconvincing Love Triangle

The success of Ishqiya is Arshad Warsi to a great extent and Naseruddin Shah to a good extent. The failure of Ishqiya is Vidya Balan. What can you say of a movie in which pretty much everything except the central (female) protagonist came together, where I can imagine the frustration of the perfectly good scriptwriter, editors, cinematographers, etc al, when the central character appears somewhat disinterested in the goings-on. Now to the plot. Arshad Warsi and Naseruddin Shah are “freelance” crooks – needing to repay a large sum on threat of their lives, they flee to a kindred soul’s home in northern UP near Gorakhpur, finding instead his widow. The three hatch a plot to get their required money, while the two men lose no opportunity at one-upmanship in winning Vidya Balan’s attentions. A dramatic and somewhat inconclusive ending wraps up this passable fare, that could have been an Omkara if only the cast cared. For a debutant (Abhishek Chaubey) this is great directorial fare, though Vishal Bharadwaj as producer fails to take the movie to a different plane

10.5/20