This Series Hereby Sleeps

Wall Street – Money Never Sleeps – has the tough task of measuring up to its legendary predecessor that was anchored by two extremely strong leads – Charlie Sheen (featured in the current movie in a cameo is a shockingly aged incarnation) and Michael Douglas (not quite his former self in this edition, as an out-of-prison Gordon Gekko). Lead Jake Moore (Shia LaBeouf) is a level-headed investment banker, with a reasonably modest existence (by IB standards of course) and a penchant for the ethical and for clean technology. Jake works through the meltdown and the collateral damage of looking to marry Gordon Gekko’s daughter – is Gekko now a changed man or the same marauder that he was in the 80’s? With strong overtones of the fall of Bear Stearns and the continued survival of the likes of Charles Schwab, this movie is a bit of a mishmash between high street finance parleys, and good old family values. Generally entertaining without being edge-of-the-seat, and marred by shoddy cinematography and editing in some degree, this is an entertaining movie but cannot hold even the merest hint of a candle to the original

11.5/20

Human, Weakness
Arthur Lewis (James Marsden) is a NASA scientist who will never be an astronaut, while wife Norma (Cameron Diaz) has lost use of one of her feet in a tragic accident. And they both need the money. Along comes the money in the form of The Box that asks them to choose – and they have a choice of getting no less than a million dollars – with a price tag – they can choose to take the money, but a person, unknown to them, will die. The money is useful, but life gets really complicated. An alien lifeform is invading the minds of people they know, and before they know it, they are subjects of a bizarre social experiment that demands and takes from them the ultimate sacrifice. Hair-raising and genuinely scary in parts, this is worth a watch for the noir-style exposition that all comes together at the end. Richard Kelly is the same man who directed Donnie Darko, remember?

11.5/20

Mother of Interviews

In an amazing character portrait, director Ron Howard (The Da Vinci Code, A Beautiful Mind, Cinderella Man, Apollo 13) pits the dilettante-ish English talk show host David Frost (Michael Sheen) with all his charm and naivete and susceptibility to “mind games”, against the redoubtable Richard Nixon (Frank Langella) whose pugnacious redoubtable personality was bruised but not beaten by the experience that was Watergate, in Frost Nixon. The clash of unequals is not concluded by any unexpected victory in favour of Frost – it is perhaps more of a case of the former president clearing a heavy conscience, going through a televised catharsis for all to see. Yes, as the movie mentions, television simplifies, and a single shot becomes the summary statement on a complex and difficult presidential tenure. Witness today’s reality shows the need to capture that defining moment that woos audiences and “sums it all up”, while completely missing the undertones, the buildup and the complexities therein. And it takes a brilliant performance by Frank Langella to show us just how acute those nuances can be.

17.5/20