Fake Money, Real Feeling

Salomon “Sally” Sorowitsch is perhaps the world’s best counterfeiter – and a Jew in Nazi Germany. Apprehended for using counterfeit money in a casino, and sent to a concentration camp, Sally finds himself part of an elite and select group of people with complimentary talents. Starting with IDs and passports, the group moves on to the defining mission – the forging of the British Pound – and delivers. In the meantime, the war and the horrors of the concentration camp rage on around them – and the question of whether they are actually helping finance the bankrupt Nazi war effort becomes the overarching moral question and Sally’s source of increasing discomfort. In the face of great pressure, the team manages to delay the “delivery” of the US Dollar – enough to see the tide of war turn and liberation ensue. Not without the poignancy of many innocents falling victim along the way. With a narrative that uses a clutch of small incidents – the man who finds his children’s passports in the paperwork, the “second-hand” clothes from the gas chambers of Auschwitz, the TB patient who has no medication and is shot down even as Sally almost trades in the dollar for the medication – to show just how strong and weak people can simultaneously be, in the face of incomprehensible adversity. Based on the largest counterfeiting operation in world history, Karl Markovics (Sally), protagonist of Die Falscher (Counterfeiters) will make you ponder over your own frailty

16.5/20

Human, Weakness
Arthur Lewis (James Marsden) is a NASA scientist who will never be an astronaut, while wife Norma (Cameron Diaz) has lost use of one of her feet in a tragic accident. And they both need the money. Along comes the money in the form of The Box that asks them to choose – and they have a choice of getting no less than a million dollars – with a price tag – they can choose to take the money, but a person, unknown to them, will die. The money is useful, but life gets really complicated. An alien lifeform is invading the minds of people they know, and before they know it, they are subjects of a bizarre social experiment that demands and takes from them the ultimate sacrifice. Hair-raising and genuinely scary in parts, this is worth a watch for the noir-style exposition that all comes together at the end. Richard Kelly is the same man who directed Donnie Darko, remember?

11.5/20

Corn-y

What a twisted world we live in! Mark Whitacre (Matt Damon), family man and star performer of Archer Daniels Midland (ADM), blows the lid off a global price fixing racket in lysine, in The Informant!. The same draws the attention of the FBI and together they literally bring the house down. And the movie takes off from there. With generous brushstrokes of noir, the lines between justice being served, and Mark Whitacre’s own relentless pursuit of the ADM corporate ladder become blurred. Things get even murkier as Whitacre is discovered to be on the take well into the investigation, a fact that may destroy the prosecution’s case in its entirety. The movie rounds off with a large sentence for Whitacre – justice served or denied? Well you need to decide for yourself, because director Steven Soderbergh (Oceans 11 to 13, Erin Brokovich, Solaris) wants you to make up your own mind in this dark comedy

14/20

The Arsonist

Here is a modern day top morality play, starring the yet-again wronged-in-respect-of-family Clyde Shelton (Gerard Butler). But Law Abiding Citizen is over the top poetic justice! The two men who kill his family – and one of whom strikes a deal with the prosecutor Nick Rice (Jamie Foxx) to do in his partner, do not reckon with a “spy” having plotted and schemed their demises ten years later. After ensuring that the death row inmate does not die a painless death, he takes out the partner, with slowness and cruelty. The rampage continues, Philadelphia is brought to a halt, when will the cleansing of the system end and the rage subside? There are limitations to the extent to which this story has been carried, and even Gerard Butler appears unconvinced in parts about the extent of his actions. All part of the plot – or not?

10/20

Game On

Never never never underestimate Gerard Butler. In terms of the most recent “good to great” finds of Hollywood that need to replace a galaxy of stars that are past their fifties, Gerard Butler does himself little discredit and delivers another great action performance. Not a great character actor in the mold of say Christian Bale, this actor is a perfect compromise between the latter and say an all out action hero like Jason Statham. The plot of Gamer is hackneyed – death row inmates in a live television fight to the finish, a certain (and impossible) number of wins for a pardon. The protagonist does not fail to realize that he is not getting out the easy way, that there is too much at stake if he does. So he gets out the hard way, and with the help of some counter-culturists, gets back his family and ends the TV regime of the aptly named Slayers. Have fun, till the next meaningful Gerard Butler movie

13.0/20

An Unconvincing Love Triangle

The success of Ishqiya is Arshad Warsi to a great extent and Naseruddin Shah to a good extent. The failure of Ishqiya is Vidya Balan. What can you say of a movie in which pretty much everything except the central (female) protagonist came together, where I can imagine the frustration of the perfectly good scriptwriter, editors, cinematographers, etc al, when the central character appears somewhat disinterested in the goings-on. Now to the plot. Arshad Warsi and Naseruddin Shah are “freelance” crooks – needing to repay a large sum on threat of their lives, they flee to a kindred soul’s home in northern UP near Gorakhpur, finding instead his widow. The three hatch a plot to get their required money, while the two men lose no opportunity at one-upmanship in winning Vidya Balan’s attentions. A dramatic and somewhat inconclusive ending wraps up this passable fare, that could have been an Omkara if only the cast cared. For a debutant (Abhishek Chaubey) this is great directorial fare, though Vishal Bharadwaj as producer fails to take the movie to a different plane

10.5/20