Spectacular.

I watch hundreds of movies a year. Most rate a bit above 10, simply because all the movies pass through some degree of pre-selection. A rare movie makes it past 15. Only occasionally there comes a movie that reminds us of all that is great about movies per se – so brilliant is the theme, so perfect the execution, and so absorbed and perfect the key characters in their roles. It is in this vein that I shall desist from a lengthy review of Black Swan. It is Nina Sayers’ (Natalie Portman’s) role of a lifetime, but only because she has the canvas for the same in this surreal movie. So, a brief. Nina is the quintessential White Swan in “Swan Lake” her New York ballet troupe, but can she make a Black Swan too? Enter Lily (Mila Kunis), the natural Black Swan – a night of debauchery and hallucinations ensues – and Nina finds herself teetering at the edge of being the Swan Queen. Further hallucinations and a magnificent and tragic performance round off this spectacle. Like many great movies, this one is hard to put into words. Darren Aronofsky uses elements of melodrama, split personalities, and incredibly difficult character portraits to put together this once-in-a-lifetime movie

18/20

Test of Nerves

It is the ultimate test for the ultimate contestants. All eight of them, packed into a room with pencil and paper, and not knowing what the test could possibly be. Exam is not so much about decoding what the content of a particular evaluation process is, as it is about personalities. It is a test of how different people react to a specific circumstance – quiet resignation, logical thinking, violence, anger – and how such a process can be used to select winners from losers. For a movie that is shot in a single room and has an ever-decreasing cast of characters, this one comes through rather nicely

14/20

Spit on it

Why do I even bother reviewing such movies?! I Spit on Your Grave is a 2010 remake of a 1978 movie – suffice to say that the latter ranks in the Top 10 Ridiculously Violent Movies by Time Magazine. Jennifer Hills (Sarah Butler) finds herself a quiet corner in the woods to finish writing her book. Her paths cross with a bunch of depraved locals including a crooked sheriff, and what follows can only be described as gorno – graphic rape followed by graphic revenge. It would perhaps be for the best if such movies were banned – the kind of taste that this kind of movie implies cannot possibly be healthy

7.5/20

A Case of old wine..

Someone please step out there and re-invent the horror movie genre. Case 39 is a case in point that totally lacks any new inspiration. Social worker Emily Jenkins (Renée Zellweger) takes a personal interest in Lillith Sullivan (Jodie Ferland), and the interest turns into alarmed near-adoption as Emily finds that Lillith’s parents were actually trying to kill her. Living under the same roof has unexpected (?) consequences however – a number of people close to Emily start dying, and the linkages to Lilith become irrefutable. And then the attempts to destroy the evil presence follow. Once you have the Omen meets Exorcist feeling about halfway through the movie, you will rapidly lose interest and wonder whether there is anything unexpected around the corner – there isn’t

10/20

After the Flood

Among the various better-documented paranormal phenomena would be near-death experiences, and the subsequent connectivity that people with such experiences supposedly have with the dead. At the heart of Hereafter there are just three characters (and I don’t mean director Clint Eastwood, producer Steven Spielberg and writer Peter Morgan). Marie Lelay (Cecile de France) almost dies as the tsunami hits Thailand – and the subsequent changes in her have profound consequences upon her work and relationships, as she embarks to write a book about her experience. George Lonegan (Matt Damon) is a San Francisco based reluctant psychic, a man running away from his gift and the psychological consequences of communicating with the dead, even as he is not quite stably employed. Marcus (Frankie McLaren and George McLaren) cannot cope with the death of brother Jason and looks for ways and means to communicate. The paths of all three cross unexpectedly in London – with the hope of positive outcomes all round. Well-executed like all Clint Eastwood fare, sensitive and touching in parts, and a good watch all round, though never crossing into exceptional territory as Eastwood has done so often

13.5/20

Better than a Life of Despair..

Deadbeat professor John Brennan (Russell Crowe) steps out for dinner with wife Lara (Elizabeth Banks), where the latter has a face-off with her boss. The next thing he knows – the boss is found murdered, and all the evidence points to his wife. Facing life imprisonment with stoic acceptance, Lara has not reckoned with the resourcefulness of her husband. After failing with lawyers and the right side of the law, John obsesses with getting Lara out of prison – and the country – by any means possible. The next few months are a blur of delirious effort, the horror of near-misses coupled with near-penury, and finally - when something is required by The Next Three Days, a breakthrough. But breaking out of prison is one matter – will the couple be able to re-unite with their child and find their way out of the United States? The extraordinary movie slows towards the middle to let the viewer soak in the consequences upon a family of justice denied, and then switches to a dramatic conclusion. Paul Haggis of Crash, Million Dollar Baby and Casino Royale fame pulls off an extraordinary movie –the extent of improbability of the escape cannot be better captured than by the quote from Don Quixote used in the movie – “'If we choose to exist in our own reality, are we insane? And if we are, isn't that better than a life of despair?'”. And Russell Crowe on his part shows all of the quiet resolve that made the likes of Cinderella Man and A Beautiful Mind such extraordinary movies

16.5/20

The Siege of LA

Yes, (at the time of writing), it’s in the multiplex and yes you will not go wrong on this one! So this is another alien invasion, and the aliens have taken over Los Angeles. Battle Los Angeles swings between Skyline-style terrifying, to Independence Day style melodrama, and lots of action in between. Where the movie does not go wrong are the Black Hawk Down-meets The Hurt Locker style urban battle sequences. With Ssgt. Michael Nantz (Aaron Eckhart) well-supported by his multi-ethnic company including the spunky action heroine Elena Santos (Michelle Rodriguez), this movie will keep you occupied with excellent action cuts interspersed by reasonably convincing stock-taking on the futility of it all, and other similar clichés

13.5/20

Monsters (?)

No matter how hackneyed the theme, an effort at an authentic rendition of a situation, and the people affected by the situation, has an appeal all of its own. First, the context. A probe to detect extraterrestrial life crashes over Mexico. Six years later, the whole of northern Mexico is a dangerous quarantine zone, infested by Monsters, with barbed wire fencing to the south and The Wall protecting the United States to the North. It is against this backdrop that cynical journalist Scoot McNairy (Andrew Kaulder) is given the task of escorting beautiful American tourist Samantha Wynden (Whitney Able) to the safety of the USA. A plan to take the ferry to the States goes all wrong, and the trip across the Infected Zone has unexpected consequences for the duo, and their perception of the persecuted monsters. The distinguishing feature of the movie is the effort at authentic scenes of Mexican life affected by the infestation – a cart carrying off a jet engine, monsters in graffiti and children’s drawings, children wearing gas masks as a way of life. Touching in parts, and engaging in full, this is not your average alien-buster Hollywood flick

13.5/20

Heist with Twists

Generous brushstrokes of noir and well-chosen sepia tinted scenes and soft lighting are an unexpected canvas for The Hessen Conspiracy, a World War II whodunit. Jack Durant(Billy Zane) and Lt. Kathleen Nash (Lyne Renee) fall for each other, and for the crown jewels of Princess Sophie of Germany. While the extrication of these jewels to the United States is rather cleanly orchestrated, how does the couple get legitimacy over the jewels and get the wartime police off their backs? And are they truly with one another, or is it that they are looking to double cross each other? The movie manages to generate a surprising degree of suspense even as it maintains its retro feel.

13/20

The (Hopefully) Last Airbender

The irrepressible M Night Shyamalan will not be kept from bringing fables to the big screen, that somehow do not seem to click, as far as all recent attempts have gone. Aang (Noah Ringer) of the Air people, is The Last Airbender, preserved for a hundred years in ice even as his people have been decimated by the Fire People. It takes two intrepid Water People – Katara (Nicola Peltz) and Sokka (Jackson Rathbone) to discover Aang from under the ice, and then embark on a journey to unite the peoples, and in particular manage the military onslaught from the martial Fire People. Where the movie seems to have failed is execution. A cast that does not click as far as pretty much any and every role is concerned. Hideous acting with uninspiring central characters that chokes off any upside potential from the above-average special effects. While the Director has made no secret of seeking sequels herein, it remains to be seen whether, with this combination of cast and crew, the audience is likely to bite

10/20

Scott’s Noisy Adventures

For a movie that is somewhat hard to describe – I shall keep my review of this one brief. Scott Pilgrim vs. the World is the movie adaptation of a graphic novel, and a popular game as well. Scott Pilgrim (Michael Cera) is a reasonably average Toronto dude, whose claim to fame is being bass guitarist for the band Sex bom-omb (!) and whose concurrent claim to infamy is dating Chinese high-school student Knives Chau. The romance gets interrupted by the entry of one Ramona Flowers (Mary Elizabeth Winstead), with whom Scott falls head-over-heels in love. Not so fast – Ramona has seven evil exes (ex-dates) in her life – and through a series of adventures, some verging on the sensible but others downright garish, but all superhuman, Scott takes on Indian dudes, vegan obsessives, popular movie stars, two Japanese brothers – and a woman – in his bid to win over Ramona. The final challenge however proves the most daunting – do all the elements of Scott’s life – the elusive record deal, the prospective girlfriend and the spurned one – come together? Watch this one for the “game” experience – but as far as graphic novel adaptations go, I found this movie a sensory overload rather than thought-provoking or nuanced
11.5/20

D’uh Border

“Stone Cold” Steve Austin hits the movies again as Jim Rhodes, an US Border Patrol Agent who keeps watch over a point proximate to the Canadian border, and one daughter Kim (Marie Avgeropoulos) who does not think too much of him, in Hunt to Kill. An unrelated heist gone wrong in a different city has the quintessential posse of villains enter Jim and Kim’s life, and take them hostage in their quest for a way across the border. Much violence (surprised?) and general cleaning-up of the riffraff expectedly ensue. Clearly not a movie to step into with exalted expectations, and nothing unexpectedly exalted to take away either . Notably, the movie re-unites Steve Austin, Gary Daniels and Eric Roberts for the first time since The Expendables

10/20

Another End of the World

Skyline is freakier than reviews have generally given it credit for. An idyllic LA party setting reminiscent of Cloverfield is suddenly turned into the hotspot for an alien attack. Elaine (Scottie Thompson) and Jarrod (Eric Balfour) have flown in to LA for friend Terry's (Donald Faison) birthday party. The night of the party, a strange alien attack – lights that draw people like moths to a flame – and then absorb them whole in spaceships – decimates the group. An attempt to escape to the boats proves futile – the group endeavors to survive in the building but does not last long. Well, almost all. The movie has a District 9 – style ending with Jarrod (or more accurately Jarrod’s brain) still retaining “human” characteristics – in particular, his protective instincts for Elaine. The movie borrows liberally – too liberally – from anything and everything from War of the Worlds (probes drawing in humans) to Independence Day (multiple-city alien landings, aerial attacks including survival of a nuclear attack) to The Matrix (intelligent probes searching for humans) – but in the end the Strause Brothers do manage to leave a sense of near-unmitigated hopelessness that is all its own

11.5/20

Dream Merchants

Welcome to the hard-driving sales culture the way only Americana can! Steve and Kate Jones (David Duchovny and Demi Moore), and children Jenn and Mick (Amber Heard and Ben Hollingsworth) form a family “unit” – the Jone$es – planted in an upmarket suburban neighborhood by their employer, a marketing company – to peddle the wares of the latter’s clients through their lifestyle. Out come the trendy furniture and designer clothes, and perfumes and cereal and golf clubs – and the sales keep rolling. But beneath all this is the undercurrent of the unit continuously questioning their vacuous existence, and the possibilities of the unit actually behaving like an actual family – spurred by the strains of a growing attachment between “husband” and “wife”. The sales culture has its casualties on both sides, and in the end, something in the cold culture does give. An entertaining if marginally over-the-top look at ways and means to create demand where none existed, and simultaneously questioning the ethics of it all

13/20

The Overseas Proposal

Anna Brady (Amy Adams) “stages apartments” in Boston – a career typical of a hard-driven city – that consists of decking up apartments that appeal to potential buyers’ fantasies, and then taking away the frills on the eve of a purchase. The ubiquitous boyfriend Jeremy (Adam Scott) is a cardiologist, who has been deferring the “M” plan for – 4 years and counting. Up comes a business trip to Ireland, and, drawn to a tradition of proposals on February 29th (only possible in a Leap Year) that apparently never get spurned, Anna lands up in Ireland. Ireland, not Dublin, because inclement weather and a series of mishaps to follow land her in faraway Dingle, two days’ journey from Dublin, that need to be necessarily traversed with a rickety car and one Declan (Matthew Goode) for company. The countryside is breathtaking, the unfortunate delays come thick and fast, and the stranger and his country grow on Anna. So how does it all end, then? Set against the backdrop of a country that is, refreshingly, not sepia-tinted-beautiful but rugged-beautiful, watch this movie if only to get an up close look at Hibernia, and have a comely romance playing along to boot

13.5/20

INTRODUCING RITU

MY CO AUTHOR...

ON TO HER FIRST POST...

Species #2

Elsa (Sarah Polley) and Clive (Adrien Brody) are two brilliant genetic engineers who have created a mutant animal – product of a Splice between the DNA of two animals. Rather than being sequestered into mundane research and protein extraction from the said animal, as is the diktat of their firm, the two scientists – who are also in a relationship – go for the kill – trying to generate the product of spliced human DNA. They succeed, but the product – which carries Elsa’s DNA – is not quite what they had envisaged. Dren (Delphine Chaneac) – the product - is a highly intelligent semi-human creature, that is amphibious and carries a toxic sting. Dren evokes maternal love from Elsa, and, given her genetic antecedents, a very different kind of love from Clive, even as the two scientists struggle to conceal the results of their experiment from their company and the world at large. Eventually Dren metamorphoses into something else altogether – and the same has tragic consequences for the couple, but is an extremely profitable outcome for their company. Yet another horror story of mutation gone wrong, and not a particularly well-made story, at that

12/20

Until Lambs become Lions

The latest edition of Robin Hood is about how Robin Hood, the outlaw, came to be. Robin Longstride (Russell Crowe), later Robin Hood, fought alongside King Richard the Lionheart (Danny Huston) in the Crusades. When King Richard dies in battle, Robin and a small band of fellow-soldiers end up in custody of the royal crown, and Robin, in the guise of Sir Robert Loxley of Nottingham, a knight killed in the same battle, maes the journey to Nottingham. Robin soon brings back life to the hamlet and wins the affections of Robert’s widowed wife Marion Loxley (Cate Blanchett). The peace is not to last, however – renegade English knight Godfrey (Mark Strong) is planning a French invasion of England even as he pillages English towns in succession for the collection of taxes for the royal coffers. The paths of Robin and Godfrey cross, with tragic consequences for Godfrey and his nefarious plans. But, the subsequent adulation of Robin Longstride, and his views on empowerment of the people of England, are taken none too kindly by newly crowned Prince John (Oscar Isaac). This is an under-rated movie, the reception of which was marred by expectations from the Robin Hood mush camp.

15.5/20

Eventful Marriage

Undercover agent Spencer Aimes (Ashton Kutcher) falls in love with a recently out-of-a-relationship Jen Kornfeldt (Katherine Heigl) who’s holidaying in Nice with her parents. Three years on, and to the blissful unawareness of Jen about her husband’s past, it takes a sudden attempt on Spencer’s life by what seemed to be a neighbor, to bring home the truth – Sepncer’s old organization wants him out. And dovetailing into this script is the family life of Spencer and Jen – with a baby on the way and a trust-no-one policy in respect of what they thought to be neighbors being potential Killers, the couple has an amusing whirlwind time and finally find peace with family – well, almost. An unusually good comedy that actually holds together quite nicely, and definitely recommended among the recent movies in its genre

12/20

Oh, Politics!

Adapted from the British comedy TV series The Thick of It, In the Loop features the UK Minister for International Development Simon Foster (Tom Hollander) making successive faux-pas in public office – first noting that war in Iraq is “unforseeable” (not quite the official line, for which he is duly berated), and then blurting out to journalists that he may need to “climb the mountain of conflict”. Out comes a summons to Washington, and Simon Foster soon becomes roadkill in a political game where the endgame was to take the countries – UK and USA - to war. When you are done with likes of The Green Zone and Body of Lies, watch this movie for a hilarious take on how UK (ostensibly) managed to bungle its way into the Iraq conflict. Exceptionally entertaining, as only the circus of politics can be

14/20

Bringing Kung Fu to Beijing

Within the genre of sports movies, no sports seem to be more evocative than football, and martial arts. While the former is about relentless pursuit of personal excellence coupled with teamwork, the latter is about technical brilliance honed to a startling degree at an individual level. When Dre Parker (Jaden Smith) makes his way to Beiging with single mom Sherry, leaving behind the wasteland of Detroit’s auto industry, he has to contend with physical aggression and hostility from his peer group. Enter Mr Han (Jackie Chan), the repairman with a history and no ordinary skills in kung fu. With training that encompasses chi, the art of learning through repetition, and a healthy dose on Chinese culture and values, The Karate Kid (2010) shows how a physically weak American kid uses kung fu (and not karate, which really is a serious turn-off) to find his way in his new world. Strictly a family entertainer, with action to entertain and truisms to ponder over

12/20

This Series Hereby Sleeps

Wall Street – Money Never Sleeps – has the tough task of measuring up to its legendary predecessor that was anchored by two extremely strong leads – Charlie Sheen (featured in the current movie in a cameo is a shockingly aged incarnation) and Michael Douglas (not quite his former self in this edition, as an out-of-prison Gordon Gekko). Lead Jake Moore (Shia LaBeouf) is a level-headed investment banker, with a reasonably modest existence (by IB standards of course) and a penchant for the ethical and for clean technology. Jake works through the meltdown and the collateral damage of looking to marry Gordon Gekko’s daughter – is Gekko now a changed man or the same marauder that he was in the 80’s? With strong overtones of the fall of Bear Stearns and the continued survival of the likes of Charles Schwab, this movie is a bit of a mishmash between high street finance parleys, and good old family values. Generally entertaining without being edge-of-the-seat, and marred by shoddy cinematography and editing in some degree, this is an entertaining movie but cannot hold even the merest hint of a candle to the original

11.5/20

To Err (repeatedly) is Human

Newly out of work Travis (Adrien Brody) finds himself volunteering for a paid experiment, with the promise of $ 1000/ day of compensation, for a period of 14 days. The study – to play the role of one of the prisoners as part of an experiment, wherein other volunteers, notably Barris (Forest Whittaker) act as the guards. In an experiment where the only restrictions on prisoners include never speaking to guards unless spoken to, and finishing all of their food, simple transgressions take an ugly turn as the prisoners led by Travis grapple with one diabetic in their midst, the uncertain food, et al, while the guards led by Barris take increasingly violent and regressive steps to address what they see as a growing challenge to their authority. In an experiment that would ostensibly terminate on the first hint of violence, much blood is shed before the same comes to an abrupt halt, and the movie trails off with a call to justice. With overtones of America’s reality of Guantanomo Bay, and movies such as Blindness, The Experiment shows just how degenerate a regular group of humans can become in a setting that has the slightest hint of an imbalance of power. A good movie that makes for some really heavy viewing

13.5/20

Please Go Away

There are movies that seem stuck in a time-warp – no matter how much times change, there does not seem to be any respite for the audience from the tearjerker content. When Kajol, Kareena, and Arjun Rampal start exploring the touchy topic of a broken family and new relationships, and the effects of the same on children, with the further angle of all of the said people being Indian diaspora, We Are Family seems to be a movie with a lot of promise. When Kajol gets detected with cancer, and the audience gets treated to a tsunami of melodrama, you are left with your head reeling from the senselessness of the portrayal and the sheer torment of the audience experience. This is a movie that takes on a topic of note, then goes out there and shoots itself. ‘nuff said

6.5/20

A Bit Incendiary, a Lot of fizz

Like the giant explosions in the second half of the movie, there are moments in Dabangg that are – well – explosive firsts in Hindi cinema in the action genre. What is not quite as catchy is the storyline, which gets caught in an uncertain zone between being the oh-so-familiar Bollywood melodrama, and being a loose vehicle for some over-the-top action sequences. With one-man action capers reminiscent of the likes of Desperado and Shoot ‘em Up, and liberal doses of inspiration from several other Hollywood flicks, this movie is on the one hand quite enough to be a popular hit, but could have gone much further in the over-the-top action genre. And then there is the issue of the never-ending careers of our Bollywood stars and whether it would have been really difficult to find a better lead than Salman Khan. In any case, watch this movie for the action, but you will not miss much if you snooze off whatever’s in between

10/20

Abandoned or Alone?

Mary (Brittany Murphy) heads to the hospital for her boyfriend Kevin’s (Dean Cain) orthopaedic surgery. Directed to a wing that’s under renovation, she leaves him off for the operation – and hours later, is unable to find any trace of him. A frantic series of enquiries with nurses, the reception, and the hospital authorities as to his whereabouts is to no avail. Eventually her searches draw the wrong kind of attention – her behavioral patterns are questioned, and she is on the verge of being labeled as depressive and her behavior hallucinatory. But is that the truth? Or is something much more sinister at play? While you will not be surprised at the overall outcome in Abandoned, you may well be at the degree of depravity that it portrays. A strictly B Grader and timepass movie, good for home DVD, not quite the stuff you will want a full blown outing around. The movie trails off with a tribute to Brittany Murphy, who died tragically last year at the tender age of 32

10/20

Of Ghosts and Political Intrigue

Never expected an ordinary movie from Roman Polanski. Got as close to one as he has ever made. Based on the novel by Robert Harris, The Ghost Writer (Ewan McGregor) picks up an assignment to write the memoirs of the former British Prime Minister Adam Lang (Pierce Brosnan), a character based, by Robert Harris’ self-admission, on Tony Blair. The Ghost, though somewhat shaken by the fact that his predecessor on the assignment died under somewhat mysterious circumstances, embarks on his intrepid enquires to get to the bottom of the mysteries in Adam Lang’s life. The search for the truth is made more intriguing by the Ghost’s possession of his predecessor’s manuscript – and the several obvious attempts that unknown people are making to dispossess him of the same. Adam Lang, in terms of political affiliation, was indistinguishable from the US in terms of political ideology – but was there more to that aspect than met the eye? And who else was involved in the same? Travel bleak landscapes and sinister people in the Ghost’s search for the truth

12/20

Lights Camera and All Action

If The Expendables were to be renamed, An Ode to Action may well suit. Sylvester Stallone pulls together a panoply of stars – some current (Jason Statham) others of yesteryears (Dolph Lundgren) – all from the world of action. The overlay is a deliberately loose storyline – opening with a quick sequence on nailing a band of Somali pirates, and then getting down to the business of ending a dictatorship and the dealings of a rogue CIA agent, in an island country in South America. While Barney Ross (Stallone) and Lee Christmas (Statham) form the lead pair, the cast and crew of good guys – Yang (Jet Li), Toll Road (Randy Couture), tattooman Tool (Mickey Rourke) and cameos from Bruce Willis and Arnold Schwarzenegger – is only matched by the evil bunch of Gunner (Dolph Lundgren), James Munroe (Eric Roberts) and Paine (Steve Austin). Fans will remember the movie for the one-man (or few-man) army sequences that have been missing since Rambo took a breather in Afghanistan. Sharp action, wholesome entertainment, and largely interesting dialogue – while Mickey Rourke is not quite his impactful self, Dolph Lundgren with “Insect..” was interesting. Don’t miss this little milestone in action movie history from a living legend

13.5/20

Smokin’ Good

Smokin’ Aces 2 – Assassins Ball is PJ Pesce’s (PJ who?) attempt at Tarantino. While PJ does not pull that one off (phew!), he does manage to put together a rockin’ good movie. Walter Weed (Tom Berenger) is a nondescript paper pusher in the FBI and the latter discover a bounty on his head – with a sell-by date. Led by the intrepid Agent Baker (Clayne Clawford), will the duo manage to keep out a set of remarkable assassins – The Tremor family, Tommy Flanagan (Lazlo Soot) and Martha Higareda (Ariella) among others? Be prepared for over-the-top stylized action sequences through this one... and what makes the movie somewhat above the mundane genre replicator, is the genuine effort to showcase the gradual unraveling of a background – why is there a bounty on the head of a desk clerk? More to it than meets the eye

13.5/20

Out of this World… ?!

Ex Pianist (Adrien Brody) is paratrooped into an alien world, and soon finds himself in the company of the earth equivalent of Predators – cannot help quoting from Gladiator – “ferocious mercenaries and warriors from all brute nations”. They decide to work together – and soon find to their consternation that they are not on a terrestrial forest as they might have imagined. The plot thickens with predator dogs, rogue humans and traps of many descriptions. In the end human morality is called into question – and questions answered. And, as in all previous installments, there are many engaging action scenes, and some but not many survivors. With generous credits to the original throughout the movie through a vast (all?) number of “inspired” scenes and characters, this is a reasonably entertaining movie, but difficult to identify a single feature or character that was truly striking. On to a hopefully better next edition

10.5/20

Not Eclipsed Yet

Like vampires, this series refuses to die. In The Twilight Saga – Eclipse, Bella Swan (Kristin Stewart) has figured that she does want to be a vampire – after graduation of course – to be together evermore with her one (of two true loves) – Edward Cullen (Robert Pattinson). This is taken none too kindly by Jacob Black (Taylor Lautner) who makes no secret of his love, and his intentions of thwarting the above alliance. In the meantime, rogue newborns (new vampires) run amok in Seattle, and it takes the full power and might of a token skirmish to bring law and order back to the world. I have been informed that there is a fourth installment on its way, and have promised myself to avoid it under all circumstances. But this is the issue with sequels – they are so smartly spaced out, that you sometimes forget how pathetic the previous edition was..

7/20

Salt It.

Evelyn Salt (Angelina Jolie)’s talent for the action heroine is obvious, her choice of plot is two decades too late. Evelyn Salt is at the very least a double agent, but is she a triple agent? It is distressing that every aspect of the plot seems to have been drawn from some currently irrelevant Cold War cliché, and, in spite of the same, some of the sequences are barely believable. Cut to the story. An interrogation of a Russian defector reveals that the CIA interrogator – Evelyn – is possibly a double agent (why he gives this information voluntarily to the CIA at large is but one of the faux pas of the movie). In any case, Evelyn performs her dubious role admirably in battling the forces of law and order while fulfilling her near-impossible assassination missions through various decent to good action sequences, and suffice to say that many realities are stretched. When you have finished yawning through the Defcon II and suicide bomber and Universal Soldier-like sequences, the movie trails off rather ambitiously in the quest for a sequel. All the best on that one, Evelyn

10/20

Racy Romance

Racy script full of, well, races. Beautiful locales - Azores, Seville, some Americana, Salzburg.. good looking cast of Roy Miller (Tom Cruise) and June Havens (Cameron Diaz). Knight and Day is at heart basically a romance built through successive action sequences. So where does it all start. June,on her way home to her sister's wedding, meets Roy at the airport and as co-passenger in a flight that... crashes. June's simple life becomes somewhat complicated as she first works at shaking off Roy and the associated baggage of villians, and then works at survival with him in tow. Entertaining, simple, not much to be said of it besides.. a simple movie for a rainy Saturday evening with hotdogs at the movies and baby in bed

12/20

Character Assassins

With brushstrokes that occasionally border on the noir in the unlikeliest of settings for the same, Assassination of A High School President profiles the socially inept Bobby Funke (Reece Thompson) as the unlikely protagonist as a wannabe journalist – looking for a breakthrough article for the school paper, Funke embarks on an investigation centered around stolen SAT papers, and zeroes in on Paul Moore (Patrick Taylor) as the culprit. But things are not quite what they seem, and with heightened suspicions, not least caused by the behavior of Paul’s girlfriend Francesca (Mischa Barton) and stepbrother Marlon (Luke Grimes), a plot is unearthed that is considerably larger than anticipated, and leads Funke into personal danger followed by adulation. An unlikely candidate for an interesting movie – do not expect a teen flick here – and in case you have a compelling need to watch movies with star power only, Bruce Willis as Principal Kirkpatrick plays a significant if not central role in the movie

14/20

Play, United

The World Cup of Football just got over, and, for the moment, the world does not doubt the capability of sport to unite nations in a shared passion. However, uniting a nation – South Africa - in the midst of cataclysmic change – through sport is another matter altogether. With an insecure and newly disenfranchised white population, and a newly liberated but deeply suspicious black population, Nelson Mandela (Morgan Freeman) turns to the captain of the national rugby team – Francois Piennar (Matt Damon) with a mission – win the world cup of rugby. A victory would unite a nation torn by decades of deep-rooted animosity, in a manner that no change in law or governance could possibly accomplish. Another brilliant and award-winning film by Clint Eastwood, and moving like only sports movies can be – the spirit of the movie (and its name) is no better captured than by William Ernest Henley’s poem Invictus – No matter how straight the gate/ or charged with adventures the scroll/ I am the master of my fate/ I am the captain of my soul

15.5/20

Dream Merchants

Leonardo DiCaprio (Cobb) continues his winning streak with Inception – a taut sci-fi thriller about men that construct dreams and through them seek to prise out the secrets of their fellow men. Lured by Saito’s (Ken Watanabe) promise of being re-united with his children, Cobb embarks on a mission fraught with danger – the inception of an idea in Saito’s arch-rival Robert Fischer Jr (Cillian Murphy) – to break up the latter’s business empire. Aided by a core team including architect Ardiane (Ellen Page), Cobb and his team must travel successive levels of dreams to seed the idea – and see the fruition of the same in the real world. However, the memories of Mal (Marion Cotillard), the ex-wife of Cobb, cloud Cobb’s presence and his dream, and imperil the success of the mission. With the slightest hint of the Matrix, and of Shutter Island (the movie trails off in a fashion where the eventual truth is unclear), this is a carefully crafted movie with moments of brilliance, and sterling performances all round. But good enough to be cult?.. as in Matrix/ Dark Knight class? Didnt think so.

14.5/20